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Everything posted by Channelknight Fadran
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HAPPY HOBBIT DAY
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Indeed, the hobbit is amazing.
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Quote
now I am become Bilbo, destroyer of Lobelia
That is NOT what I read the first time I saw that.
*facepalm*
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HAHAH
time to change my whole thing-
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can someone explain why I have THIRTEEN OF THESE????
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oh also btw I've updated the Iconar Beta Doc to have the full Chapter 1. Idk go read it or something
https://docs.google.com/document/d/10iZWsPGBYAAkwyFcdkUOquqM-kNDf8FxR6_9xSDssmg/edit?usp=sharing
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Indeed, my dear Eddie, sleep is what free-eth thine soul from the troubles and travails of the waking hours, from thine walking life in this mortal plain. And, furthermore, for thine health, sleep is the greatest promoter of thine well-being.
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The sock is correct. And so, Fadracula, it behooveth me to tell you that you must sleep.
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My mind is not styled of the same component ratios that is customary in, as they say, neuro"typical" individuals. A divergent style of attention span and object fixation has led to a healthy - albeit nocomformist - sleep schedule.
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My brain:
Me:
My brain:
Me:
My brain:
Me:
My brain:
My brain: YOU SHOULD MAKE A MUSIC-BASED MAGIC SYSTEM TO MAKE THE FIRST SHOUNEN STAGEPLAY MUSICAL
Me: TECHNICALLY THERE ARE PLENTY OF SHOUNENS THAT HAVE BEEN ADAPTED TO THE STAGE AS MUSICALS BUT YEAH OKAY
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Most musicians to use loopers just do them on the fly, so I don't even think prep time would be particularly necessary.
Also here are some other observations I've made:
Most Music Wizard duels would start slow and build up into more crazy stuff. You could start a song by going ham on a bunch of drums and distortion bass, but at that point you've pretty much locked in what kind of tone your song is going to be, and any Motifs that don't fit will become a lot weaker; meanwhile, slowly building suspense and various calls would allow for a much more flexible song with room for all sorts of things.
However, you could also very well finish a Music Duel right away if you start strong - it's a risk/reward play that pits your ability to end a Duel quickly, against their ability to pull you into a song of attrition. Duels would always start with something of a Prisoners' Dilemma, with either party choosing an opener based on how they want to play the duel.
If you both start slow, it'll be a pretty standard battle; if one starts fast and hard, they can quite easily finish the duel in record time, but become vulnerable for longer songs; and if both begin with loud and brazen openers... well, then one could say that the proverbial crem has hit the fan and sliced its head off.
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Worldbuilding idea: Motifs are powered by personal Attunement, but some are so well-known that they tend to have preestablished abilities baked into them. Stuff like the opening notes to Beethoven's Fifth or Fur Elise or Da Da DAN DA (You feel like you're going to have a bad time) - these are so ingrained into musical culture that just about anyone can learn them, but can't really grow in power as a person Attunes to it due to their semi-objective nature.
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OOOOh that's so cool!
QuoteThis reminds me of (Marvel multiverse of madness spoiler)
Oh that's weird. Was just talking about that movie earlier today.
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Remember the quiet nights you forgot
Remember the old things you once sought
Forget today, if it pains you,
because the evening comes anyway
Recall the day where nothing happened
Recall the stranger that you once gladdened
Forget today, if it hates you,
because the morning comes anyway
Forget the times you could have changed
Forget the pains that you estranged
Remember today, if it forgot you
because the next one comes anyway
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wait what
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The weirdest part about being a Play By Ear pianist is that you get, like... "Mains."
In Super Smash Bros., I main Link, Zelda, Sheik, Corrin, and Inkling Girl. Sure, I can play other characters from time to time - and I can play many of them well, or even better than I do said Mains. But I always come back to my Mains because they're familiar and fun to play.
It's the same with the songs I know on piano, but... a little more loosely. Field of Hopes and Dreams, the Legend of Zelda main theme, a couple scuffed anime OPS; but because I don't play them by sheet music or even just regular memorization, they tend to sort of fuse together with other songs at random intervals. I know a boatload of Zelda songs, which are pretty easy to incorporate into the main theme as long as you aren't deaf; and melding the Asriel Dreemurr bossfight theme (which, btw, is called "Hopes and Dreams") with the Field of Hopes and Dreams theme (which, btw, is called "Field of Hopes and Dreams") is just so satisfying as long as it doesn't suck.
Did you know that every single song that isn't in 11/14 with eight billion natural indicators can be transferred into Zelda's Lullaby? And every Mario song is so frighteningly bizarre that learning them by pattern is nigh-on impossible?
I bring this up because I've figured out Those Who Fight from FFVII and it's so much fun