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Spren of Kindness

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Everything posted by Spren of Kindness

  1. "Yeah. I'm not against tackling either of them if need be. We'll just have to hope this goes right."
  2. "I was too." Maybe a little older, and mostly training missions or observation, but still. "But it doesn't sit right. This is dangerous."
  3. "I don't want to take him with us," Martin says slowly. "We don't know the risk. But you said he could go." He folds his arms. "We should probably wait a few minutes at least."
  4. "It can feel that way, yes." Fifteen seems like a long time ago now, for him. "But the point stands."
  5. "Punching does not a trained warrior make. But it is a start," Martin adds. "Unfortunately, we have a minimum recruitment age." He glances at Ayia. Back me up here.
  6. "Hang on, Ayia's calling. You want to come with?" "COMING," Martin yells, and jogs towards her.
  7. In the vein of occasionally posting things I drew, here's something I wrote.  A few paragraphs in which I give into my urge to do something with alternate realities and write Martin the FOTT character three other personalities/endings that could have been.

    Spoiler

    In one world, Martin dies at eighteen on one of his first solo missions, terrified and alone, a ring of bruises around his throat. (In that world, the discovery of an eighteen year old, with the scars of a soldier twice his age, triggers questions.) The ISC never retrieves his body. It's not worth it. (The questions trigger outrage.) Reese goes against orders to find the remains of her best friend. She becomes one of the leaders of the revolution, the Tigress, incandescent in her fury. (Mica dies, not by an enemy hand. It only fuels the fire when the recording is found.) In that world, Martin is the spark that brings down the ones who enslaved him, the symbol that people rally to.

    In another world, Mica dies in the cold snow, bleeding out red onto white, and Martin follows him, anger and grief guiding him to the gates. In that world, there is no revolution. The death of enemy operative Stiletto, known danger for nearly four years, is celebrated, before his age is discovered, and horrified consternation takes it's place. (If the ISC is putting sixteen year olds on the field, what else are they doing?) But before anything can be done, the Dagger, raging at the loss of the only two people who have ever cared about her, destroys those who took them. In that world, Reese becomes what they all feared, the monster who brings the ISC to power. No one remembers Stiletto and Rapier. They are only two more marks on the list of atrocities the ISC has committed.

    In yet another world, Martin breaks. He becomes the monster, a shell that follows orders. (He is the world's villain. He doesn't care. He can't care.) By the end, he is more scar than skin. He is killed by escapees of the program he is a slave to. A single shot. The sniper who does it calls it a kindness. (Everyone agrees.) Mica leaves the escapees to make his own path. He is the only one to make it more than two weeks. (A month later, he is shot by Nassau, who killed the one who should have been Mica's brother.)

    (When he is not a child soldier, he doesn't survive. Bombs, hunger, natural disasters. There is no escape for him in those worlds.)

    In this world, he is a soldier. He has nothing to distinguish himself from his companions. He is a listener, an observer. He follows orders. (It's better, now. This is not the ISC.) He learns to trust. Deep down, he harbors a hope that maybe, it can be made right. It's drowned by the learned fear that seeps through his bones. It's safer this way. He is safer. (He can't take a betrayal.) These people know more of him than almost anyone. He will not let them know everything. (He doesn't want to be alone.) He will follow orders. And maybe, he can heal. (He wants to.)

    (Is not allowed to.)

    (Is?)

    Whaddya think?  Good, bad?  Weird?  All three?

    1. The Storming Stormfather

      The Storming Stormfather

      Cool, but also confusing. I don't have nearly enough context to say good or bad. It really could go either way, but it seems like a cool concept, exploring different possible worlds. I like it BTW.

    2. Spren of Kindness
    3. dannnex

      dannnex

      Intriguing! I’ll second TSS and say that I don’t think I have enough context to thouroughly appreciate it, but the writing itself is still good.

  8. I've finished two books: Krakatoa: The Day the World Exploded by Simon Winchester, and Fahrenheit 451 by Ray Bradbury. Krakatoa was really, really good. I was expecting something a little drier and more sciencey jargon, and though there is some of that, it's actually really engaging and well told. I'm definitely going to be looking into some of his other books. Apparently there's one on the San Francisco earthquake in 1906. That should be interesting. I read Fahrenheit 451 when I was much younger, and didn't understand it. Rereading it now, I'm really impressed. I really enjoy Bradbury's writing style, and the ending is so... I don't know. It sticks with you.
  9. "Your form is good, but you're snapping your elbow. You don't want to do that." Martin drops his stance so he can guide his own right arm through a strike. "You want to make contact without getting your arm all the way straight."
  10. "Put a little more weight on your front leg," Martin says. "Block with your non-dominant hand, so that's the leg you want to be leaning on." He shifts back and forth unconsciously. "And then you can jab with your dominant hand." He demonstrates. "Not too fast, especially now."
  11. "Yeah. If you keep your thumbs inside your fingers, you can mess up the joints. Okay. Now, for the most part, you want to keep one fist closer to you to guard, like so." Martin brings his left fist up at a slight angle, just below his eyes.
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