If you could email me chapter 1 so I can catch up, that would be optimal;
Here’s my thoughts without that.
This is grimderp. I am being hit over the head with “things are bad, world is evil” if that’s the intention, and you aren’t planning to subvert it later, you could either tone it down, or show it. Show don’t tell is cliche, but it would help a lot here. This might have something to do with the individual character being a pessimist, and if so it might be best to show that the pessimism extends beyond just the state of the world.
Exposition on dump is exposition dump, but I like the way you’ve couched it in both romance and potential danger, really well done there.
I’m used to a main character, but in a story like this not having one makes it more fun. Other then the token “deploying the army to stay in power sounds bad” I have no idea whose side I’m supposed to be on. If that is intentional, well done. If not, maybe make the morals a bit clearer. My mental list says only Glenda is moderately not evil, but moral corruption and sexual escapades are hard to justify right off the bat.
Trademarks in the middle of the writing are annoying and serve no purpose.
Chacter conflict is well developed and interesting, but I’ve yet to find the primary conflict because I can’t decided whose side I’m on.
Morton’s line “wouldn’t want to schedule that now would we” is missing we.
Forsythe is a strange and concerning name, but again, if he’s evil, it’s a bit on the nose.
That’s all I got.