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LUNA

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  1. LUNA
    when she is born, they name her mary. it means “bitter.” her mother—plain, unlovely—knows what her ugliness will mean. how it will feel. knows that ugliness makes everything harder, the mirror image of how being too beautiful makes everything harder. mary’s mother is unlovely, and she is happy, basically. she went to school, and they let her, not pretty enough to earn their scorn but too pretty to earn derision.
    mary’s first word—a year old, face too red, eyes somehow too far apart and too close together at the same time, nose a curious hook—is, “please,” and mary’s father says, “no.”
    mary’s father loves her, and he always says no. no mary, you can’t go to school; they’ll mock you at school. no mary, you can’t have pretty dresses; they’ll only accentuate your ugliness. no mary, no mary, no mary, no.
    “please,” mary says, and her father kisses her too-large forehead. runs his hand along her puffy cheeks. there isn’t any one thing, not any single marker of her ugliness, only individual parts that don’t seem to fit together right. lumps where straight lines should be, pocks along her chin, eyes that were too bright and too big and yet still not considered striking. he kisses her and holds her and says, “no.”
    — 
    this is what you learn, when you are young and you don’t look how they want you to:
    the baker closes at four. if you are hungry, he will feed you, out of pity.
    witches are everywhere. witches understand. witches will hold your hand, and run their thumbs along your lifeline. witches will say, take this, and press a bag into your palm. take this, it will help you.
    beautiful women look at you once, and then never again. they fear you. they fear what you remind them, which is that natural beauty is unearned and hard-won beauty is unnatural. beauty is arbitrary, but beauty means everything. you are here, you are alive, you are ugly: they do not know what this means.
    beautiful men will look at you, and look, and look. they will try to understand. they will say cruel things first, because that is how men are taught to treat ugly things. then they will taper into benign amusement. eventually they will forget you are a person at all, and they will say anything. they will say their darkest secrets and not realize you can hear them.
    mary learns. mary listens. mary understands. mary is not as bitter as her name.

    they say “ugly,” but what they mean is, “stupid.” what they mean is, “useless.” what they mean is, “defeatable.”
    “be good, boys,” she scolds a group of particularly loud stable boys as she gathers their empty pints. the lights are dim enough to ease the angled corners of her broad shoulders. they love her here, gentle dim mary, too ugly for marriage. such a shame. what a nice girl, our ugly duckling. 
    “Ugly Mary!” says jonas, the butcher’s son. “have a sit. tell us a story.”
    “these tables aren’t gon’ clean themselves,” she answers, even as she sits. jonas always leaves his purse on the table. the more drunk he gets, the less attention he pays to its weight. “what kind of story?”
    “a good one,” jonas insists. “make us laugh.”
    “all right,” says mary, and leans forward. she wraps her fingers around jonas’ purse and holds it up in front of him. “this is my dowry,” she says. 
    he laughs, head thrown back, eyes squeezed shut. the stable boys laugh too. everybody laughs. a dowry, for ugly mary. a dowry! mary palms the purse and leaves an empty one in its place. a witch gave it to her, once. a witch gave it to her and said this will come back to you, no matter how far away you send it.
    mary has given jonas the butcher’s son this purse five times. he has always brought it back, confused, asking for his own. “i seem to have stolen this from someone,” he laughed, nervous. “only—don’t tell, mary, eh? i’ll leave it here, and no harm done, eh?”
    mary had tutted at him every time. “watch those sticky fingers, jonas,” she’d said. “they’ll get the better of you one day. but it’ll be our secret.”
    “last drink’s on the house,” mary says, and whisks their glasses away.

    a beautiful woman would walk into any room and have all eyes on her long legs, her round mouth, her startling eyes. a beautiful woman would have them on their knees saying yes. a beautiful woman would say, “i want—” and they would say, “we’ll give it.”
    everyone wants to please a beautiful woman.
    mary’s first trip to the palace is with a hood over her head. don’t make them look too long at you, edna had said, her hands on her hips. edna loves mary, too. edna loves mary and edna always tells mary no.
    she’s here to make a delivery, some chickens for a party, and their usual boy has a broken leg. so mary brings the shipment. mary has her witch’s purse in her pocket, a snack from the baker in her mouth. 
    “oh, well aren’t you a bit of a divine accident,” says the royal chef, frowning. “angels were scraping the bottom of the barrel for you, eh? parents couldn’t quite get pregnant ‘till you? asked a witch for help?”
    mary flashes a smile. first they will be cruel. two days ago, she had knocked out a tooth specifically for this event, and her mouth is swollen. “where should i leave them?” she asks.
    “six of them straight to the kitchens, but leave one with me,” the chef says. he is still looking at her. “i’m hungry too, eh? ha!” he winks at her. then they will taper into benign amusement. when mary moves to obey, he catches her arm. “what’s your name, ugly girl?”
    “mary,” she answers. her breath whistles through the gap where her tooth used to be. she smiles again, and watches his eyes soften. good.
    “ugly mary,” he muses. “i like you, girl. come again, with the next shipment.”
    “yes sir,” she says, and smiles.

    the chef cooks laxative herbs into the food of nobles who mistreat him. he tells her this thoughtlessly, sprinkling a leaf onto the top of a perfectly roasted turkey. his serving boy takes silver from the storage and sells it. their errands boy has been sleeping with the queen’s lady-in-waiting, and the queen’s lady-in-waiting told him that the queen is sleeping with the king’s brother.
    there are fights, at night, loud and long in the war room. mary gives her magic purse to the errands boy and he comes to her, days later, in a panic. 
    “i don’t know where i got it,” he babbles, “but it’s got a note in it, what says there’s some kind of plot, some kind of secret plan, i—it wasn’t me but if they find me with it—”
    mary smiles. “shhh,” she soothes. “it’ll be our secret.”

    “it’ll be our secret,” mary promises the chef, the purse full of belladonna in her hands. i didn’t mean to, he’d blubbered. i didn’t know, i thought it was sage, i thought it was—
    “it’ll be our secret,” mary says to the serving boy, taking the purse from him. the queen’s diamonds are in it. her favorite. she’s gone to war for less. i don’t know where it came from, he’d wept. i must have grabbed it by mistake.
    “it’ll be our secret,” mary assures the queen’s lady-in-waiting. the purse is heavy with a vial filled with liquid. enough to terminate—oh god—a pregnancy, the girl had whispered, horrified. i must have taken it from her bathroom, thinking it was mine, i…if she knows…
    our secret, mary promises, smiling, smiling. they thank her. they give the purse back, and give it back, and give it back.

    mary eats well. her mother sells the diamonds mary gave her—“a gift,” she says, smiling, smiling—and their roof is thatched, their clothing mended. they buy a cow.
    mary holds onto the vial. she knows better than to waste opportunities on frivolous purchases.
    “are you proud of me, father?” mary asks, and her father says, “yes.”

    “so you’re ugly mary,” says the queen, looking at her.
    mary nods. smiles. mary is not as bitter as her name.
    the king laughs, loud and booming. the king is not a beautiful man, but beneath the glitter of his crown it’s hard to see. he hides his ugliness, with thick capes and gold crowns; mary knows better.
    “can’t seem to get anyone to say a single word against you,” the king says. “everyone says: you want something done, ask ugly mary.”
    “if i can serve you, Majesty,” mary says, curtsying deeply, “it would be my honor.”
    “no,” says the queen. the queen is beautiful, and she looks away. 
    “just to do the cleaning,” the king says, and smiles at her, benign. “nothing like an ugly girl to do the ugly work, eh?”
    mary smiles. “indeed, your Majesty,” she says.

    beautiful women are noticed. you never stop noticing them. they arrest you. they want you to please them, and you want it too.
    ugly women are noticed. you never stop noticing them. they arrest you, and you want them to please you. it is not hard to please you. they only have to give you what you think you want.

    “what i like about you, ugly mary,” says the king, “is that you never make a fuss. i barely realize you’re here.”
    that’s not true, mary knows. but she has worked hard to learn how to make it seem as if it is. she is not unnoticed, she is simply unremarkable. surely someone who looks defeated must be defeated.
    “aye, Majesty,” she says.
    he trails off, fingers running across the bedspread. “what’s this?” he asks, plucking mary’s purse from the sheets. she keeps her eyes on the floor, scrubbing. 
    one dose before bedtime, the paper reads. the pregnancy will end with blood.
    “the pregnancy will end,” the king says aloud. “the pregnancy will—the pregnancy—”
    mary looks up. she waits.
    the king’s eyes snap to her. “tell no one,” he says, and mary smiles.
    “Majesty, it will be our secret,” she promises.

    father are you proud of me father are you proud father
    yes yes yes yes yes

    the day of the queen’s death, and the death of the king’s brother, mary stays at the castle. she cleans, and waits. she is careful to be in the king’s chamber when he returns, puffy-eyed. drunk. 
    “ugly mary,” he slurs as she tucks him into bed. “she was too beautiful. she lied. her beauty lied, she—you would never lie.”
    mary smiles. she takes a liberty she never has before, and brushes his hair from him face. “never, Majesty,” she promises.
    “your ugly face hides a beautiful heart,” he slurs, and mary laughs.
    “please don’t tell anyone, majesty,” she teases, and he says, “no mary, no. it’ll be our secret.”

    you are here, you are alive, you are ugly: they do not know what this means.

    at the wedding, mary does not try to look beautiful. she dresses simply. they love her for it, ugly mary with the beautiful heart.
    the chef weeps, the serving boy weeps, the errands boy weeps, the lady-in-waiting weeps. ugly mary has been so kind to them. ugly mary keeps their secrets.
    they stand at the altar, mary and her king, her simple king. he looks at her and smiles, so fond, so trusting, so sure. a woman like ugly mary could never betray him. a woman like ugly mary is surely so grateful. gratitude is loyalty. gratitude keeps your secrets.
    mary smiles.
  2. LUNA
    Prompt: A Genie offers you one wish, and you modestly wish to have a very productive 2017. The genie misunderstands, and for the rest of your life, every 20:17 you become impossibly productive for just 60 seconds.
     
     
    “Well, it was a nice day.” You kiss your sweetheart gently on the forehead and sigh as the last remaining seconds of 20:16 tick away. “See you at 8:18,” you say. 
    Then it happens. Every ounce of fatigue or hunger leaves your body. The face of your beloved is perfectly still, their expression exactly the same. The ticking of the clock on the wall has stopped. Once again, it’s 20:17. 
    You stretch your arms and walk to the table with the homework for the three doctorates you’re working on. The work is mentally stimulating and enjoyable, but it’s finished far too quickly. You check your pocket watch and see that not even one hundredth of a second has passed. 
    You knew it was too soon to be able to see any movement on the watch, but you can never quite help yourself from looking early on every 20:17. Time to move on. 
    You clean your home, do your budget, then go outside and fix a noise that your car was making earlier that afternoon. (Oh how you already miss afternoons.) Then you go back inside, boot up your computer (which magically speeds up to keep pace with you as long as you’re in contact with it) and check for any new orders. 
    You’ve set up a website for the small business you started called “Magic Elf Services.” People in your area can pay a modest fee on your site to have different tasks and odd jobs done by “The Magic Elf” at 8:17pm every day. It was a little slow to get started, but word has spread and these days you have a steady stream of clients. 
    The money that comes in from the business is nice, but you’re mostly grateful that it gives you a clear list of things to do. You print off your updated list of clients, step outside, and start making your way through the neighborhood with your to-do list. 
    There’s the apartments down your street where several neighbors have hired you to tidy up, do the dishes, and mop the floors. You do the windows too, just to see if they notice. There’s the large house across town that paid the “Magic Elf” to clean out the gutters. After the first dozen jobs are done, you manage to stop looking at your pocket watch. 
    As near as you’ve been able to determine in the past, 20:17 seems to last for approximately one normal year. But it’s not exact. For one thing, it’s hard to keep track of “time” when everything but you has crawled to an almost total standstill. For another thing, time seems to move differently depending on how “productive” your behavior is. One time you tried to spend all of 20:17 sitting at home in your pajamas, but that was getting you nowhere, so you eventually gave up and got busy. (Though you defiantly stayed in your pajamas the whole time.) 
    During 20:17 your body doesn’t get tired, hungry, sick, or injured. You’re essentially tireless and immortal for the duration of the “minute.” So sleeping or eating away your boredom has never really worked for you. 
    One of the houses on your list forgot to follow the instructions and leave a key for you to get in. At first you figure you’ll just send them an email telling them to pay more attention and that you’ll do the job tomorrow. Then you decide to go home, get your locksmith tools, and come back. 
    After finishing up all the jobs on your list, you go into several other homes and small businesses in the area, performing tasks you hope they’ll find helpful, and leaving a hand-painted business card at each one. (The business cards don’t contain your real name just in case somebody thinks “The Magic Elf” should be subject to breaking and entering laws.) 
    Speaking of laws, you head down to the local police station to pick up your case file. You’ve been in contact with a detective who’s been investigating corruption within their department, and your ability to investigate unseen and get in almost anywhere between the ticks of the clock has proven invaluable. You see that they’ve also added five missing person cases to your file this evening, which certainly raises your interest in the job. 
    You make your way through town gathering evidence, and start making your way to the outskirts of town. Since you happen to be out that way (and you’ve already solved three of the five missing person cases) you decide to swing by the stone castle you’re building and do some more work there. 
    The castle walls stand about 20 feet right now, but you know they’ll be much higher when you’re done. You’re far from any roads and pretty safely tucked away, so for now it’s your little secret. You’ve been excavating and moving all the rock yourself, which has been much easier than you first expected since your body doesn’t get tired or sore. You’ve also got a nice system of tunnels going underneath the castle, and you dig and build more of that network for a while. 
    All that time spent underground has left you feeling rather lonely, so you walk back home to see the face of your sweetheart. Their facial expression has moved ever so slightly since you last saw them, which is a comfort to you. Looking at them gets your imagination going and makes you dream up a story you’d like to tell, so you sit on your couch, plug in your laptop, and write a book. 
    After you finish editing the last chapter for the third time, you finally allow yourself to look at your pocket watch again. Three seconds have officially passed so far. 
    It’s gonna be a long 20:17. 
  3. LUNA
    I can really appreciate rainy days.
    Sometimes the sun is too harsh
    Or the snow too bitter.
    Give me days where the clouds,
              like my eyes,
    Are overcast and the fog,
              like my shoulders,
    Hang low.
    Something about bleak colors
    Cold earth, speckled windshields,
    That I embody.
    Melancholy
    Sympathizing with 
    Worms drowning in puddles
    Lacking the energy to save them.
    Empty bottles kicked beneath feet
    Only to be forgotten and left
    Sinking in the mud
    Indifferent to life and death.
    On days like these
    I imagine Mother Nature as
    A girl in a hoodie
    Walking through puddles
    Headphones in
    Music too loud
    And probably a coffee in hand
    Not to warm or wake her
    But because caffeine is a drug
    Required to keep herself moving.
    On days like these
    Stillness is equal to death
    Physical or mental
    the lines blurred
    Not unlike the horizon in the fog.
    On days like these
    I can’t tell Mother Nature and myself
    Apart.
  4. LUNA
    Three years later, a new girl sits cross-legged on your bed. 

    She tastes like a different flavor of bubblegum than you are used to. 
    She opens up a book that you had to read in high school, and a folded picture of us falls out of chapter three. 
    Now there are two unfinished stories resting in her lap. 

    Inevitably, she asks, and you tell her. 
    You say: I dated her a while back. 
    You don’t say: Sometimes, when I’m holding you, I imagine the smell of her vanilla perfume. 
    You say: She was younger than me. 
    You don’t say: The sixteen summers in her bones warmed the eighteen winters my skin had weathered. 
    You say: It’s nothing now.
    You don’t say: But it was everything then.
     
    http://caramel-in-her-coffee.tumblr.com/post/148679585316/untitled
  5. LUNA
    we’re still my favorite ghost story / even if neither of us died / when we wanted to / but the red still drips / the blue still seethes / i never looked good in purple / but the morphine is steady / i’m a quiet unraveling / you don’t know how to break / with an audience’s eyes on you / i sleep and / the static crackles / you sleep / and the wind settles over us / and the sky is more forgiving / than i ever learned to be / and i bet she’s real pretty / and her fist never curls / and the witch weather never hovers / i bet the sun is always shining / and you’re never wishing this / turned out a different way / i should have thrown out / the broken hourglass / the sand is stuck and / i know how it feels / i bet the moon holds grudges too / how could you not / when you’ve got everybody’s secrets / in the palm of your hand / how do you spill out over a sleepy town / and expect everyone else to / clean up your messes / if i’m always spilling my guts / maybe i should just carry around / the dustpan / i’m a ghost town / and you were just passing through / you’re a ghost town / and i liked an unsettling silence / if you’re forgiven / does that bring me any closer / to getting off my knees / you know how the alcohol burns / i know how the sleeping pills cloud / i want to know where the ghosts go / when they can’t stand to be the one being / haunted
     
    http://caramel-in-her-coffee.tumblr.com/post/149059244511/were-still-my-favorite-ghost-story-even-if
  6. LUNA
    the man keeps a flower, one that he picks after Harry gets up, in his breast pocket. he brings it home and it’s not wilted, so he sticks it in a book to preserve and press it. as he gets older, he goes back to that book - one on history, focusing on wars, and sees exactly where he put it. in the section about coming home and the joys of victory. he thinks about it every day until he meets Harry again at that white kings cross station, holding that flower out to him.
     
    http://caramel-in-her-coffee.tumblr.com/post/149066705616/averypottermormon-maedhrys-harry-disappears
  7. LUNA
    the story starts with a window. it’s late and I’m waving. the people I love come back home (one by one or altogether, it doesn’t matter). airports aren’t a sad thing anymore. every plane lands in my backyard and I get back what’s lost. I throw a party to celebrate the way my heart’s acting like a heart again. the flowers stop wilting because they want to stay alive to see this. the long dead plant comes back to life because it’s heard the news. the bad stuff never really happened. we dreamed it all. ate the wrong kind of thing before we slept or something like that. we dance without music because the wind’s enough. a thousand people walk on a sidewalk and they watch their feet, making room for the thousand ants. the diagnosis melts on every doctor’s tongue because the cure has already been found. and I’m not scared of anything, and I’m not tired anymore, and I’m not thinking about the thousand lives I could have lived because the one I’ve got’s enough and even the broken winged birds get their flight back. and no country loses itself to a war and no mother stops being a mother because a war couldn’t keep its hands to itself and every city stays a city and not a city’s ghost, and there’s nothing to mourn. nothing to mourn and the sky is a trustworthy thing and when it rains the whole world blooms and nothing is buried under a whole lot of yesterday and tomorrow is a believable thing. and love hasn’t ruined what it can’t save and this poem stays unwritten because it’s not needed, and nothing is needed, and we forget every word for loss and we live like that forever, where love’s not a small thing and our hands are still big enough to fit it.
  8. LUNA
    I am not a careless person. I cover my tracks, monitor what I say, look before I cross the street. At least, I do now.
    When I was 20 years old, I walked home reading a book. I was so engrossed that I failed to notice the heavy metal vehicle moving at my frail, human body at 40 mph.
    It swerved, I stopped, no one was hurt, no one died. They never do.
    It was only when I took the cookies out of the oven that I noticed the mark on my arm. I knew what it meant. It was my duty to report to the authorities to be murdered. If I didn’t, anyone who saw it would kill me on sight.
    I didn’t want to die. I was only twenty years old! I hadn’t even finished college, much less gotten to all my grand plans and ambitions (never mind that I didn’t have any. I had time to plan out the rest of my life later. So I thought.)
    I burned my arm on the cookie sheet. The scar covered the black mark somewhat, and I put a bandaid over it. The people at work didn’t question it.
    After some time, the burn healed. The mark remained black over the scar, bigger now. I tried carving it out with a knife. It was winter now, and long sleeves were the norm - no one would notice my injury. The mark remained, the bloody lower layers of my skin black as death’s robes.
    From then on I wore long sleeves. When I went to the doctor I covered it with paint and hoped they wouldn’t notice. They didn’t. I was lucky.
    The mark grew.
    I was in trouble when it reached my wrist. As soon as it covered my hand I would be discovered. I ran.
    Soon I will be nothing but a shadow in the night. Perhaps some of the stories they tell of night creatures originate from people like me. Those who escaped, their marks covering them, even the whites of their eyes turned deepest black. In a way, we are no longer human. Isolated, undying, immortal, betrayers of nature’s most fundamental law: all things must come to an end.
    If I outlive humanity, will I ever die?
    When the sun goes nova, will I still exist?
    When the universe ends, will I endure?
    Or is death simply a shortcut to that end? When the last star has gone out and matter has been erased, will Death greet me with a weary sigh, saying “where have you been? We’ve been waiting for you for an eternity.”
    At that point, will I even remember who is waiting for me?
  9. LUNA
    YOU DIDN’T WRITE ME LOVE POEMS, SO NOW I’M WRITING THEM FOR MYSELF. CAPITAL LETTERS ON MY HEADER SO PEOPLE KNOW I’M MAKING CHANGES YOU NEVER WOULD HAVE APPROVED OF. NO MORE SMALL VOICES HERE, I’M LAUGHING LOUD NOW, I’M SINGING WHERE OTHERS CAN HEAR ME, I’M PRETENDING THAT I’M ON STAGE BECAUSE MAYBE SHAKESPEARE KNOWS A LITTLE SOMETHING. 
    YOU NEVER PUSHED MY HAIR BACK BEHIND MY EAR.  YOU NEVER HELD ME GENTLY TO WAKE ME. YOU ONLY KISSED ME IF IT MEANT GETTING ME NAKED. YOU DIDN’T BUY ME CHOCOLATE. YOU NEVER DREW ME FLOWERS. WE WATCHED YOUR SHOWS AND LISTENED TO YOUR MUSIC AND ATE THE FOODS THAT YOU LOVED AND I TOLERATED. YOU NEVER HELD MY HAND LIKE YOU MEANT IT.
    WELL NOW I’M PUTTING IN EXTRA CONDITIONER AND LATHERING UP. I’M NOT WEARING MY HAIR LIKE I USED TO. I’M SOMEBODY ELSE NOW, AND I LOOK IT. MORNINGS ARE BLISS BECAUSE I RISE AND I MEAN IT. I KISS THE MIRROR BECAUSE I’M PRETTY AND PERFECT AND I DON’T NEED TO WAIT AROUND FOR YOU TO REMEMBER TO TELL ME IT, I KNOW IT. I DRAW MY OWN FLOWERS ON EVERYTHING I OWN, I BATHE IN THEM. I MARATHON SEASONS OF TELEVISION WITHOUT WORRYING THAT YOU’LL MISS SOMETHING. I LISTEN TO MY MUSIC SO LOUD THAT THE SPEAKERS START JUMPING. I EAT FOOD THAT FEELS GOOD AND I FEEL GOOD TO BE EATING. AND MY HANDS? THESE HANDS THAT HAVE SCOURED FLOORS AND YOUR SKIN AND HAVE HELD YOU AND HELD US TOGETHER AND PUSHED MYSELF INTO THE IDEA OF WHAT YOU WANTED AND SCRATCHED AND CLAWED AND NEVER TOOK ENOUGH?
    THESE HANDS ARE ATHENA. THESE HANDS ARE TEMPLE DOOR. THEY ARE WOLF ON THE PROWL. THESE HANDS DON’T NEED TO APOLOGIZE FOR WHERE THEY’VE BEEN, THEY KNOW AND THEY ARE HAPPY ABOUT IT. THESE HANDS COULD BUILD CITIES AND BURN DOWN ROME. THESE HANDS GROW GARDENS AND SEW WITH STEEL. THESE HANDS KNOW FIRE. THESE HANDS WRITE ME DESTINY, PAINT ME SKY, SWADDLE ME SLEEP. THESE HANDS ARE STRONG ENOUGH TO PULL ME TO SHORE.
    I AM FREE. I AM FREE.
    NO. I DON’T NEED YOU ANYMORE.
  10. LUNA
    Don’t fall for your best friend,
    even if
    cocoa is a really good color on you
    and her
    shea butter curls feel like silk
    in your hand.
    Don’t sleep in her bed,
    take her to breakfast,
    and carry the
    so what are?
    question under your tongue
    while you eat.  You know what you are:
    I’m so glad we’re friends.
    Don’t make her laugh, because her
    silhouette will catch the moonlight
    as you sit hip-to-hip
    on the apartment roof—
    I see constellations.
    The Virgo
    will give you vertigo,
    will turn your vertical to horizontal
    on a mattress too small for two people,
    and the alcohol on her breath
    will turn to guilt on your lips
    will turn to choked morning laughter
    in the choked morning after,
    to choked mourning, after.
    Don’t fall for your best friend,
    because
    I love you becomes I love you
    becomes What are you saying?
    When you don’t have an answer,
    you’ll kiss goodbye on the cheek
    when your eyes can’t meet—
    you’ll bite your lower lip
    and wish it were hers.
    Don’t swallow your feelings with two Klonopin
    and half an Asprin
    as you sit in the parking lot, trying not
    to run back upstairs
    and ask,
    What are we?
    What do you mean?
    What
    are
    we?
    I’m so glad we’re friends.   
  11. LUNA
    Are gods really gods if no one believes in them anymore?
    Zeus takes walks in the rain and tries to talk up joggers in central park. When they bolt, or only return his advances with polite smiles that look like fence posts too high for even him to jump, he sighs. He tells them he is a god, and his words echo back to him, accompanied by laughter. No one believes him
    He picks up his wife, who might be his sister in this time, in a beat up car with a beautiful flame job, Hera is a marriage counselor with peacock feather bags under her eyes, her advice falls on her own deaf ears as her jealous eyes roam over every girl they pass, and she is right to. She knows this. She has always known.
    Poseidon’s hands are rough and calloused, he raises cargo too heavy for a man his age, the young ones say. He laughs his fisherman’s laugh, all depths and riptide, because no one should be his age. He reminds himself he is one of the lucky ones, he gets to be around what he loves. He may not have his dominion any more, but salt water and sun still weather his face.
    Hades stalks the streets at night, women cross the street to avoid him, and he smiles with his needle-teeth, they are right to. This winter he is without a bride, and he still wants to usher souls into the afterlife, the pistol hangs heavy in his pocket, his tongue glints gold, the coin to pay his Charon, his most loyal employee. He brings knives to gunfights and guns to fistfights, he stands with his arms out like their new God, these fickle humans, he welcomes the bullets. He dares them to kill him. They try.
    Ares and Athena spit curses laced with whiskey from across dive bar floors, they are moving human pawns across a chessboard. They were strategists before they were gangsters, but it doesn’t matter now.
    Apollo sings in a nightclub, his crooning voice from a forgotten time. He has his sister’s blood under his fingernails, from stitching up wound after wound, Artemis forgets she is not invincible anymore. He sings about the moon and wonders where she is, picking a fight with some would-be rapist, maybe it’s Zeus. It’s probably Zeus. Again.
    Dionysus drinks away their shared pain, dealing LSD in dark alleyways, he whispers sweet promises and his followers believe him, he was human once and he can be again, like wine, he knew nothing so sweet could have lasted forever. Icarus sidles up to his side, asking if he’s got anything that can make you feel like you can fly. In this life, he is a junkie, and Daedalus watches with ancient, sad eyes. Icarus is melting and Dionysus is letting him.
    Hestia sits by the hearth and waits for her family to come home. And she listens while they all curse their immortality. She shakes her head slow and clicks her tongue, I know, my darlings, I know.
    Are gods really gods if no one believes in them anymore?
    Does it matter?
  12. LUNA
    Pestilence stalks the hospital corridors, 
    frail and pallid as every other half-dead thing around him. 
    He pours illness into the tiles and slathers it 
    like paint across the stark white walls, 
    wheezing a feeble laugh that would be sinister 
    if it weren’t so decrepit.
    War haunts the law firms,
    pressed three-piece suit tailored to perfection.
    He is the reason for the palpable sting of separation—
    estates and history and children and love
    split right down the middle, 
    as if along the crack of a broken heart.
    Famine curls up on a dirty sidewalk,
    dirt covering his sunken skin
    and a hole-filled blanket wrapped tightly around him.
    His heart beats to the rhythm of 
    street drumming and spare change, ma’am?
    and the rattle of quarters in empty fast food cups.
    Death glides proudly through the cemeteries,
    drinking in the names on the headstones,
    the tears of the mourners,
    adding to his collection of eternal conclusions.
    He swallows grief like it’s an energy source,
    black and bitter and so, so heavy.
  13. LUNA
    i. when you fall in love with an angel, you must understand that there are things you will not understand. 
    ii. when you first go to run your hands through his hair, his halo will slice your palm. and it will 
    hurt. he will will mend it with the touch of one golden finger, and will leave so abruptly that he is gone almost before you blink. the last thing you see will be him standing in the doorway, a terrified expression on his face and blood in his hair.
    (later, he tells you that he didn’t realize how breakable humans could be. when he explains what it takes to make an angel bleed, you start to understand.) 
    iii. ask him about the sky, about stars and suns and galaxies light years away, about how the universe looks like a blooming garden. 
    do not ask about lucifer, because your angel will become a soldier before your eyes. 
    do not, do not, do not ask about god.
    do not ask about rebellious older brothers and absentee fathers, do not infer about a war you know nothing of. 
    iv. in a science class you are taking simply to get the credit, your teacher will be talking about quantum physics. she will call planets “celestial bodies” and suddenly you will only be able to think of the way his mouth curls in at the sides, of all the puckered scars that criss-cross his torso, of the graceful arch on the bottom of his foot. when the teacher calls on you and asks you if you are alright, you will flush an even deeper red. 
    (at times it is lovely to be in love with an angel. but other times, it is not.) 
    v. when you fight, it is like the world is ending. his anger conjures a thunderstorm, and soon the entire state is three inches deep in water. you shatter a picture frame. a bolt of lightening catches the house across the street on fire. you are screaming at the top of your lungs—something about duty, something about god—and there is a crash of thunder that shakes the house. the weathermen talk about the storm for days, and you change the channel. 
    vi. then there are the times when he doesn’t visit for months on end, and when he finally comes back to you, he is not himself. there are new scars across his chest, and he does not speak. he sits with you in his arms for hours, his nose buried in your hair and his arms squeezed tight, so tight. 
    he does not cry. you do not cry. 
    you do not cry. 
    vii. when you fall in love with an angel—oh, sweetheart. it’s too late to take it back now.
  14. LUNA
    there’s a cliff in town. you heard somewhere that someone jumped from it back in high school. no one talks about it. you woke up one day and you notice it where your front yard used to be. you’d never actually seen it before. but it’s there now. you tell your mother and tells you to pray. you tell your father and he asks you if you want to fishing. you mention it to friends and they change the subject. you want to ask strangers if they can hear that strange distant ringing too. you don’t want to leave the house anymore. not with this thing in your yard. you start thinking every room is dark with you inside of it. you don’t know if the cliff is moving closer to you or if you are moving closer to it. it doesn’t matter now anyway. coffee shakes without the coffee. who cares. you’re not sleeping anyway. you feel so clumsy. you don’t want to talk about it anymore. you woke up this morning and your feet are dangling over the edge. you can’t remember how you got here anymore. everything is in pieces. everything is rushing. everything is so very very still. you remember the how relieved someone is when they drop something and realize it wasn’t very important when it hits the ground. you wonder if anyone will sigh in relief.
  15. LUNA
    Jaiden,
    This must be very, very rough for you,
    And I’m sorry that it had to happen like this.
    Rest assured, this is hard for me too.
    Making the decision was something I did
    Because I thought it would make things easiest.
    College is already on its way,
    Life is changing,
    We are changing,
    Time is changing.
    We both knew this would have to happen sooner or later,
    And it does suck.
    But I want you to know that it was never
    Because of anything you did.
    You were always an amazing girlfriend,
    And excellent friend,
    And a wonderful person.
    You still are.
    So don’t think you ever did anything wrong,
    This isn’t a punishment.
    Honestly, things would be totally different
    If time wasn’t pressed against our backs.
    But we both knew something like this would
    Happen sooner or later.
    That’s the magical thing about the universe,
    It always balances itself out.
    There has never been joy without pain.
    Everything must fall once it has been raised.
    Every day has its night.
    Every mountain makes a valley.
    It’s all part of a cycle built on an
    Infinite wave of ups and downs.
    So things might be bad right now.
    They might be bad for a long, long time.
    But they will get better.
    They will always get better.
    Never forget that.
    So, if this, or anything else,
    Is ever hard to let go of, just remember
    That it’s because something wonderful happened,
    And now the universe needs you to pay a price.
    But whatever happened was certainly wonderful enough
    To make you feel terrible,
    And that’s a blessing. Life is short and ever-changing.
    Our time is limited,
    And as simple, insignificant humans,
    The most we can do is enjoy the dance.
    Love deeply,
    Sing loudly,
    Share your secrets,
    And never stop asking questions.
    So don’t feel bad about mourning,
    It’s just another part of living.
    Cry,
    Cry whenever it is needed,
    But never forget the good times.
    Never forget why you cry,
    Or, more importantly,
    Why you smiled at the start.
    So take that energy,
    Find what makes that smile,
    And pursue it relentlessly.
    Chase it to the ends of the earth,
    Because if you don’t, who will?
    I can’t guarantee that you will do wonderful things.
    I can’t guarantee that life will always treat you fairly.
    But I promise that if you look for love
    Wherever you travel,
    The universe itself will smile upon you.
    Open your heart,
    Open your hands,
    Close your eyes,
    And leap.
    Let the world swallow you whole.
    Never be afraid to drown,
    Because some don’t get the chance to swim.
    From the deepest well of my heart,
    Thank you Jaiden,
    For everything.
    -AL
  16. LUNA
    You asked me to write you a poem.
    I’m sure that you hoped for a love poem
    So sweet that it makes your teeth hurt.
    I’m sorry but I can’t do that.
    I can’t write you a love poem.
    But if you let me
    I will write you a new sky,
    Describe to you in detail the way the clouds war
    In the moments before they’re about to cry.
    I can’t write you a love poem.
    Instead, I can write you butterflies.
    Butterflies that tickle your stomach
    In those precious seconds before
    Planes leave the ground,
    Before lights flicker in the dark,
    Before a snake strikes,
    Before you talk to the girl you love for the first time
    Or the second time
    Or the hundredth time.
    I can’t write you a love poem.
    But maybe, in its place,
    I could write you a spring breeze.
    The very same breeze that gently brushed
    Her hair in her face.
    A breeze that orders flowers
    To dance a slow waltz
    Your hand against the small of her back
    Holding her close enough to smell her
    But gently as not to break her.
    Flowers are best left unpicked.
    I can’t write you a love poem.
    But, to make up for it
    I will write you constellations
    Describe how loudly they sparkle
    And how it sounds like laughter
    From nights spent in trees and
    Next to fireplaces.
    Constellations you have memorized in the
    Freckles on her face
    Mapped out by the gentle touch
    Of fingers to skin.
    I can’t write you a love poem,
    But I will write you a creaky swing set,
    A slow moving stream,
    A cloudy sky,
    A warm afternoon.
    I will write you the color of her eyes,
    The smell of girly shampoo,
    The sound of burning wood
    And the heat from it on your skin.
    You asked me to write you a poem
    And I can’t write you a love poem.
    Instead I can write you my love.
  17. LUNA
    Nostalgia
    I saw three young children
    Jumping on a trampoline today
    And it made me sad
    Because I remember being that young
    And finding joy in small things,
    Such as trampolines,
    But now I am older
    And I find joy in nothing.
  18. LUNA
    Two Cents
    There are some things
    That I will never forget.
    Like the habit of asking
    “Two cents for your thoughts.”
    As if thoughts can be bought
    Using any type of currency.
    Since none of that makes sense,
    Here, take two.
    It may not be much
    But at least it means something.
    It’s always worth something
    If it’s coming from you.
    There are some things
    That will always survive
    In my mind like how
    Instead of two cents
    You always gave five
    Because you always sought
    To find what I’d hidden
    Deep inside myself.
    So you begin by slipping
    My religion from my hips;
    Pulling my insecurities
    From my chest and over my head
    Until we exist with our souls
    Embarrassingly naked.
    Our interests rushing through our veins
    Starting the blush in our cheeks.
    Our battles recorded in
    Scars and bruises
    On the soft parchment of our skin.
    Habits freckled across our bodies
    Mapped out like
    The constellations in the sky.
    There are some things
    That will always make me wonder
    Like how you claimed that
    You were made of the stars,
    That you had galaxies in your eyes,
    Planets in your mind
    Creating life and new ideas.
    And you spoke the wonders of space
    When you said that one day
    You would do incredible things,
    And that one day I could too.
    There are some things
    That I will forever recite.
    Like your poem about the fox
    And it’s rejected love.
    And now, like the fox, I sit,
    Waiting,
    Watching,
    Maybe hoping
    To find someone like you
    But I’m not sure if I want to.
    Because the one thing
    I can’t unfeel
    Is the night you left me for another.
    Somehow I always knew that
    I was nothing more than temporary,
    But I vowed to
    Never share thoughts with a lover.
    So instead of two cents
    For your thoughts,
    Here’s a quarter to
    Keep it to yourself for a change.
  19. LUNA
    Three Little Girls
    Envy stood at the edge of the park
    With her pudgy arms folded
    Across her small chest.
    She scowled at the children
    Who sat in the sandbox
    And left no room for her.
    Lust kicked the grass
    And shrieked at those kids
    “I want it! I need it!
    I must have it! It’s mine!”
    Greed pushed and shoved,
    The girl with brown curls.
    She punched and bit
    The arms of the boys
    Until the sandbox was empty
    For only her use.
    Gluttony’s Feast and Sloth’s Defeat
    Gluttony arrived
    In the form of locusts
    And ate at the
    Tall golden stalks.
    They ripped the flesh
    Of Sloth’s wild crops
    And beneath them
    The life disappeared.
    As the plants died
    At the mouth of Gluttony
    Sloth made no move
    To stop him.
    Earthquake
    Broken trees and
    Broken bones;
    Deep valleys and
    Deep gashes.
    Streams of mud and
    Streams of blood.
    The earth’s own wrath
    Destroyed the city,
    But that same wrath
    Destroyed itself.
    Pride
    I paused at the doors
    Of a chapel of gold
    And saw Pride preaching there.
    From outside the gate
    Words bombarded my ears
    Before being lost to the world.
    Many, like me,
    Paused as they passed
    Entranced by the display of wealth
    Some even entered
    The luxurious church
    And heeded Pride’s every remark.
    I could see in Pride’s eyes
    That he not only believed
    The people of the street would listen,
    But he also expected
    To have the attention
    Of even the omnipotent God.
    Love
    The sun kissed the earth
    Gently and kindly
    And their love
    Colored the sky
  20. LUNA
    Unrequited Love
    I’m hopelessly in love with my best friend.
    Back then, my life was a song
    With the bright music that reminds you of your youth
    The one that screams “I’m wild! I’m free!”
    Like doves we stuck together
    Like ying and yang we were complete opposites
    But somehow always seemed to fit.
    Like the moon and the stars,
    We were works of art.
    And yes the moon had suitors but everyone must have known
    That I was just one rock
    In comparison to a billion suns.
    My words a jester’s nonsense
    To her majestic poetry.
    My maturity that of a child
    But she held the stature of a queen.
    My heart an open box
    Hers a hidden treasure chest.
    With her by my side, the world was new.
    I had someone to sing with.
    College isn’t just a new song.
    It’s a new genre,
    A new atmosphere.
    It’s instruments that I’ve never heard before
    And voices of complete strangers.
    Upon separation, we cried together.
    We talked as often as best friends do,
    She says, “I hate it here. I miss you.”
    And together we count down the days until Christmas.
    Our flipped hourglass recording the seconds
    As we scratch the number of days into the walls with our fingernails
    But somehow we still have the strength to write a To-Do list
    Because, sure, I hate Utah,
    But it seemed a little more bearable thinking
    Of all the things we would get to do together.
    She was that familiar song that
    Reminded me of home.
    Winter came and brought with it the cold and the silence.
    The messages disappeared
    The calls became a rare occurrence.
    The music transformed into a
    Mournful piano piece in the distance.
    And college, college is walking the busy streets of New York by yourself.
    Unbearably surrounded but completely isolated.
    I’m alone in Utah with no one to call me “friend”
    And I realize that I am waiting for someone like her
    But you see, there is no one else like her
    And she has already met someone new.
    She’s got a new friend now and that’s OK.
    “She’s adorable” she says.
    “I don’t know how I’d survive college without her.”
    I’m still alone but she still says “I miss you”
    And I still love her and that’s ok.
    While in the air, all I could think of was her.
    I saw her in the clouds and in the sky
    And in everything beautiful on the earth.
    I heard the wind whisper,
    “Everything will be ok once you’re together.”
    It was the same thing that I had whispered to myself in the weeks prior.
    Upon landing that plane,
    My Christmas Eve gift to myself was a drive to her house.
    “She isn’t here.
    She is out with a boy.”
    She didn’t ask me to see her again until December 31.
    I know that date because it was the day my heart broke-
    The day that she looked me in the eyes and said,
    “No one has ever understood me like he does.
    No one has ever cared for me like him.”
    I’m surprised she didn’t hear my heart break.
    To me the sound was deafening,
    The sound of my quivering heartstrings
    Of the symphony playing that tragically beautiful song,
    The song that reminds us of the ones we’ve lost,
    The song that no one wants to listen to,
    But no one wants to forget.
    How stupid of me to think that everything would be ok,
    Because I was just one cold rock
    And she was the life of a million solar systems.
    I’m back in Utah now and this poem was incredibly hard to write
    I hate to beat a dead horse,
    But I feel like that overly played song on the radio.
    The one that no one seems to like
    But everyone is caught singing.
    Constantly living in fear of meeting someone as she has
    Constantly living in fear of repeating the last mistake.
    But if our God really is “all merciful”
    Then why is a mistake such a feared thing?
    I hate to sound like that hymn you sing every Sunday
    But whether you’re religious or not,
    Can we all agree on one thing?
    That no one is perfect?
    I know that I should tell you,
    “Don’t be afraid to love.
    Don’t be afraid to sing.
    Don’t be afraid of mistakes.”
    But I won’t.
    Because now I have become that horribly cliché poet
    Singing that overly played song
    Titled “Unrequited Love.”
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