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phantasmagorically

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Posts posted by phantasmagorically

  1. Firstly, if you ended up here and you haven't seen this animation, than you might as well watch it here (you can in a single sitting, it's pretty short) - just brace yourself for extreme quirkiness.

    https://www.youtube.com/watch?v=l9IHvy37xf8

     

     

    I just watched OGW after only seeing the second half about a year ago. When I saw it for the first time, I could tell there was a lot of depth to be found, so this time I found some videos explaining things I might have missed and such, because I love over-analyzing. I was a bit dismayed, however, to hear that the whole thing is a metaphor for death, and that the boys were caught in a kind of limbo and only escaped by defeating the beast. This theory didn't sit quite right with me, partially because it's overused and partially because it didn't explain the whole thing - even if the tea guy's name was on a gravestone, meaning that the people they meet are dead. One of the things that bug me is this - Wurt defeated the beast by escaping with Greg, but this didn't get rid of the beast - which is what the woodcutter did, not them. It seems that the woodcutter ended up in the same limbo situation as the boys, leading to his needing to conquer the beast - but he failed, becoming the lantern bearer. But was it too late for him to return to life like the boys once he had snuffed out the beast's soul? This theory seems full of holes, or else I'm not thinking it through.

     

    My first impression (the first time I saw it) was that the depth I was looking for lied in how Wurt named the frog after Jason Thunderberker. This points to him having enourmous character development, in that now Jason no longer has any hold on him - because it seemed to me that during the entire time out of the Unknown he was completely overreacting.

     

    So now that I'm even more confused than before, does anyone have any ideas? Has anyone other than me even seen this animation?  :mellow:

  2. Perhaps evil is a strong term, but from the way the trailer is set up, it looks like Snyder is trying to make Superman at least appear more sinister than usual. A statue of Superman emblazoned with FALSE GOD, a group of soldiers bowing to him—these are things that directors from the Christopher Reeve era would have balked at, yet Snyder seems to be portraying them as the natural consequence of a powerful alien being. 

     

    And honestly? I get it. And on one level, I like it. Part of what I loved about the Reckoners books was how Sanderson showed the terrifying consequences of a being as powerful as Superman who, unlike Superman, does see himself as a god and does​ want to rule. And like Kobold said earlier, I like the idea of examining the role of Superman in society. 

     

    What I don't like is the way that most movies that decide to examine Superman's role almost always cast him in a grim and sinister light. Sure, there would be fallout from a being like Superman existing in our world, but why not examine the way he attempts to keep others from seeing him as a god and how others respond to that? I'd kill for a movie scene where Superman, desperate to be seen as a renegade do-gooder and not a benevolent deity, straps on an apron and volunteers in a soup kitchen before purposely tripping over his own feet on the way out. It is possible to examine the line between power and corruption in a hopeful way, but it looks to me like Snyder just wants to give us the same old grim powerful-man-becomes-avenging-deity stuff we've seen before.

    I agree with this. The way I saw it was that people started making him into a God and things spiraled down from there.

  3. Cool!
    Well, here they are. I worked on each over a few days except for when ballet got into the way. That's why I have so few.
    Yeah, I know I thought I would end up drawing people... Nope.

     

    The first is part of a larger drawing because I couldn't fit the rest. I did it after reading the Shadows of Self prologue, and I decided to try and picture a duel between two mistings in what the Scadrial Roughs actually look like (in the background there are a few badly drawn trees, giraffes, and lions in long grass. Since it was too large, I just showed my favorite part - which is a bit confusing because the dueler's opponent is seen in between his hand about to draw from a belt of vials.

    The second one is me starting to draw pattern in shadesmar - It's obviously not finished.

    The third is just an abstract doodle I had a lot of fun with, and it isn't finished either. The purple lines were inspired by the dragon curve fractal, which is quite fun to draw (https://www.youtube.com/watch?v=EdyociU35u8). Prismacolors are the best.

    post-14939-0-88773200-1436993567_thumb.p

    post-14939-0-36242000-1436993583_thumb.p

    post-14939-0-14158300-1436993628_thumb.p

  4. Geh! I have been doing the sketches, but I'm having trouble getting pictures on. I get a repository as soon as I can.

     

    Edit: How do you get to the url of an h drive file?

  5. Just a random thought:

    Couldn't he have purposely used his weakness to negate his powers so he wouldn't have to worry about using them and giving in to the rending? That could have solved a ton of problems, if I'm not misunderstanding something.

  6. "Meanwhile, Lopen and the other Herdazians were back at camp pumping some iron and getting a glorious sweat-sheen swole worked up. As Lopen counted his 18th one-armed pull-up, he couldn't help but sense something was amis. 'Hey cuz!' He yelled to one of his companions. 'I'm gettin the feeling that something ain't right with gon. He's up at the king's palace and I'm thinkin we should go check up on him.' As he dropped his muscular bod from the pull-up bar, his sense of foreboding grew suddenly. 'Cmon guys! No time to put our shirts back on, we gotta go pronto!' With that, the glistening troop of Herdazians rushed off. Barely panting, due to their incredibly conditioned physical conditions, the group neared the palace. They could hear shouts from within. 'I knew something was up' said Lopen. 'Onward!' With that, they stormed in to the castle and followed the sounds of a fray. Finally, they arrived at a terrible scene: a figure in flowing white garb with a shardblade was amidst a fight with Kaladin, Dalinar and Adolin. Lopen stood, frozen for a split second. Quickly, he began to sprint down the hall, he knew what to do. He gracefully bounded through the air with a mighty shout, each rippling muscle right beneath his glistening skin showing every sinew of muscle. 'This is Herdaz!!' He shouted as he threw a muscular leg at the assassin who was just about to swing his blade down on Dalinar. With a sickening crunching sound, the assassin in white screamed and flew backwards, thrown by the hulking physique of the one-armed stud. He plummeted out the odd hole that had been cut into the wall and was never sseen again. 'Lopen!' Said Kaladin in surprise. 'You're a hero!!' Said Dalinar. Dazed, he got to his feet. 'That, that was incredible' he said, obviously distracted by the troop of glistening, muscular Herdazians before him. 'No need to thank me gon' replied Lopen, 'just doing what a one-armed Herdazian can.'

    ney8p.jpgvia Imgflip Meme Maker

    anyway...

    For comic relief: certainly when Hoid is randomly driving Adolin's carriage and several plot points converge

    For coolness: when Shallan is discovering the cryptics lurking in her sketches

    For abject awe: the 4:1 duel - ALL OF IT

  7. Not to clutter up the thread, but have an upvote phantasmagorically just for your icon.  :D

    ty!  B)  Red Mages are the best (and undoubtedly the coolest looking).

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