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ILuvHats

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  1. 10 hours ago, Channelknight Fadran said:

    ...I had no idea that you were alive, fam.

    Ha ha yeah... RoW hit me hard. I liked it, but it didn't live up to my expectations, so I've been pretty inactive here since then. Apart from a couple of posts about the secret project sample chapters, of course. I saw you're still working on the Iconar Collective, which is awesome! I hope I can stick with this story for as long as you've stuck with your own.

    @CalanoCorvus Aw shucks. Thanks for the encouragement! Yeah, I didn't think it would turn out as well as it did. Guess fifteen years of reading finally paid off, huh? Edit: Ah! I see you're a writer as well. I didn't realize you were the one writing The Verdur Trilogy until I saw it in your account signature.

  2. Guys, writing is hard. I knew it can be difficult for new writers, but I didn't realize the sheer amount of effort it takes when you've literally never written anything before. You do not want to know how long it took me to write this. But I was surprisingly pleased with how my first foray into writing fantasy turned out, and I wanted to share it. 

    I've made world building posts about this book idea on the forum, but it's been years, so I'm sure nobody remembers them. Which is good! I don't want anyone going in with preconceived notions. I've heavily modified the world since then, and the characters have been even more radically altered. One of my concepts for a POV character got trashed and completely rebuilt from the ground up, but I've never discussed the characters before, so you won't know the difference. As always, I welcome feedback and constructive criticism, and I hope you enjoy it.

    Spoiler

    Chapter 1

    On the tracks, perched atop the dark shape of the iron behemoth, sat a little girl. She lay curled against the ancient locomotive’s rusty chimney, dressed in a black, knee-length skirt and matching stockings, the type these provincials wore to church or perhaps a funeral. Despite the midday sun, the trees here were old and dense with foliage, so little light passed through the canopy. Amidst the black of the shade and the black of her dress, her pale face was shockingly striking. It was oddly picturesque. But also frightening. Tanatski knew she shouldn’t be here alone without supervision, both for her sake and his own.

    Leio tugged on his shoulder. The older man looked concerned, as well he should be. “I know you’re worried she’s lost, but I wouldn’t approach her. Spirits, what do you think one of the foremen would do if they saw us with her? What do you think the locals would do?”

    Tanatski glanced at the sky past the tree line, where faint plumes of smoke marked the nearby settlement.

    “We’re miles away yet. Not likely to be seen by passersby.”

    “Still not worth the risk,” Leio said. “Besides, you really think they left a kid her age all by herself? I’ve got two krupels says whoever’s looking after her just lost sight for a moment.”

    Tanatski shrugged Leio’s hand off and started striding forward. “I’ll take that bet.”

    Behind him, he heard Leio mutter that the wager was rhetorical, but after a pause he followed him. The grizzled man was cautious, not cold-hearted. Tanatski knew Leio had grandchildren back east in Gröeksburg. It’s not that he wasn’t concerned for this strange, lost child. But if Leio became too involved, there could be consequences for him that could affect his family as well. Tanatski had no such attachments holding him back. 

    The girl was plucking leaves from a low hanging branch when she spotted the two men and jumped, rushing to her feet and balancing precariously atop the cylindrical hull. Tanatski put his hands up to pacify her. “Whoa, hey there. It’s alright. We don’t mean you any harm.”

    He expected her to scamper away, but she simply stood there staring at him, clutching the chimney to keep from falling. Perhaps she couldn’t climb down the engine quickly, or thought it was safer up high.

    Leio took off his cap. “Don’t reckon you see many strangers out here, huh?” He pointed to the steam engine. “We’re track-layers. Helped bring that train to this neck of the woods.”

    Tanatski stopped half a dozen yards away, leaving plenty of space. “My name’s Tan, and this is Leio. What’s your name?”

    She paused for a long second. “My name’s Hya.”

    “Hya? As in Hyacinth?” Tanatski asked. She nodded, and he had to smile. Say what you would about Samarans, but Tanatski had always loved their naming conventions ever since Wisteria had mentioned how she’d gotten her own name. 

    “Well, Hya,” Tanatski continued, “I don’t think you should be here all by yourself. Where’s your mom or dad?”

    Again, she paused before responding. “Pa’s working. I don’t have a ma.” The girl, Hya, glanced intently at Leio before turning back to face Tanatski. “Why are your eyes squinty?”

    Tanatski supposed he shouldn’t be surprised. Remote Kanzic settlements like this one rarely saw any immigrants passing through, particularly Oriental ones. Ordinarily, the only chance for her to see someone like them was the occasional Immune surveyor, and they only needed to update this area’s map of hellholes once a decade. 

    “We’re not squinting. Our eyes are shaped differently,” Tanatski explained. “We come from down south, at least originally. Leio’s family moved here a long time ago, so even though he doesn’t look like you, he’s just as Kanzic as you are. I grew up in the South though.”

    Hya’s eyes widened, and she grew visibly excited. “Isn’t that where the godless live? Not the wild ones I mean.”

    Tanatski carefully nodded. “Yes, there are Burnt there. Depends where you are of course. Some places, they’re almost as rare as they are here. But where I grew up, you couldn’t walk a block without bumping into one.”

    “Have you seen one?” she asked.

    “Course I have. They’re not as impressive or scary as you might have heard. They look the same as you or me.”

    The girl pressed, “But have you ever seen one, you know…” She gestured wildly with her hands, looking eagerly at him.

    Tanatski paused. “Aren’t you a curious one. I’d have expected you to be frightened at the notion of flame-touched, not grilling me for stories about them.”

    “Pastor Braume says they’re demon-possessed, but Pa says that’s bull. He says if they’re possessed by demons telling them to destroy everything, how come the South hasn’t gone up in flames yet? Besides, you didn’t answer my question. That means you have to have seen one in action!”

    Leio chuckled. “I doubt that. People like us don’t witness Burnt actively using their powers. Eh, Tanatski?”

    Tanatski stayed silent, and his companion turned to face him, eyes widening. As the moment stretched, the cricking of cicadas swelled to fill the now quiet clearing. Tanatski cursed his indecision. He should have lied instead of dodging the girl’s question, or at least made an excuse after she saw through it. By instead playing the rabbit, he’d incriminated himself further, making it even more difficult to fabricate an explanation that would satisfy both the girl and Leio. Spirit Within, this situation would have been easily avoided if he didn’t hate lying to children so much. 

    “Yes, I’ve seen a Burnt demonstrate her abilities before,” Tanatski slowly began. “I don’t like to talk about it. You’re right, Leio, public display of magic is strongly discouraged in Xangwou. Hakan’s a different story, but I was in Xangwou at the time, so if word ever reached the right people, my friend could be in trouble. Seeing how distant we are, I’m sure nobody will find out if I tell you, though. 

    “When I asked her to show me Burning, she took me down a side alley and away from the main thoroughfare, tearing a sliver off her handkerchief as we went. After we were out of sight, she pinched the sliver between two fingers, and… nothing visible happened, but it felt like if you looked hard enough, the piece of cloth would begin to glow. There was an energy in the air. I don’t know how else to describe it. Then she set the fabric on the pavement and told me to step back. After a few seconds in the sunlight, it erupted into smoke, dark as night and warped by tendrils of flame. After the fumes dissipated, the cloth was gone. All that remained were rings of black ash.”

    Tanatski stopped reminiscing to focus on his audience of two. Hyacinth’s eyes were larger than plates, and a smile was starting to creep onto her lips. At some point during his story, she’d gone back to sitting atop the engine instead of standing. Leio was inscrutable. 

    “I won’t tell anyone. I promise!” Hya said, sweet as honey. Tanatski was certain she’d describe his story in detail to the first person who’d listen.

    “How big was the explosion?” she asked.

    Tanatski laid his hand flat at waist height. “About this high. The cloud of smoke stained the front of my pants and shirt. She should have warned me to step farther back.” He shook his head. “It was a tiny shred of fabric, too. My friend told me organic materials contain a lot of energy. And by organic, I mean stuff that comes from animals and plants, Hya.”

    Leio cut off another question from the girl. “We’ve gotten sidetracked. Instead of spouting stories about magic and Burnt, we should be getting you back home,” he said, eyeing Tanatski with a frown. “Hya, you said your father is working right now. Did you come out here with anybody else?”

    “Yeah, my sister is over there.” Hya pointed behind the two men, away from the crumbling train tracks. “We were supposed to be checking some snares Pa had set up, but then Allysum came and started talking with my sister. About boys.” She stuck out her tongue in disgust. “I got bored so I left. They didn’t want me there anyways.” 

    “I’m sure that’s not true,” Leio said. “And your sister’s probably very worried about you. Let’s head back to them, okay?”

    “Okay,” Hya signed. She scampered down the overgrown boiler engine in a moment, using creepers that had grown up the side as handholds. She began shuffling in the direction she had indicated, head hung in resignation.

    “Along the way, do you want to hear more about steam engines?” Leio asked.

    Hya immediately perked up. “Yes please!” She hurried to Leio’s side as he began describing the massive trainyards back in Gröeksburg. Tanatski trailed behind them as they hiked through brambles and undergrowth, which was fine by him. He needed time to consider how badly he’d stormed up. 

    He wasn’t concerned about the girl. She might get scolded for sharing his story, but at her age he doubted anyone would take her seriously. No, Tanatski’s problem was Leio. Maybe the man grew up knowing the homeland only through newspapers, but he seemed knowledgeable. Larger immigrant communities kept cultures and traditions alive within the ravenous beast that was Kanza, and Tanatski gathered that Leio lived in one such neighborhood when he wasn’t away on labor contracts. He knew how odd it was Tanatski had met a Burnt, and unless he’d also gone senile, he’d also realize Tanatski should have had no qualms mentioning his encounter, despite its oddity. For all he had blustered about protecting his friend, any low-ranking Hakani would boast about the tale given the opportunity. Witnessing a Burning was one thing, particularly in Hakan, but a personal demonstration was unheard of if you weren’t rich or well connected. And Tanatski could have protected his friend from scrutiny simply by withholding her name. 

    Worry gnawing at his stomach, Tanatski took a deep breath and tried to clear his mind. The cool, damp air of the forest was a pleasant break from the oppressive heat of the camp set up for the work crew. And after bathing in the creek, he felt properly clean for the first time in ages. Spring had ended, and the warm vibrance of summer scents and sights enveloped him. The drone of insects and the chatter of his companions blended into a comforting white noise, and Tanatski let the scene wash over him. He was walking, breathing, living, and this moment did not need to be marred by memories or fear for what the future held. Tanatski had to appreciate these moments. He had little else.

    Leio laughed at something Hya said, and Tanatski smiled. If Leio connected the dots and approached their fellow tracklayers or one of their managers, Tanatski would have to disappear. That was alright. He’d done so before, and he could do it again. Besides, Tanatski liked Leio. He reminded him of his grandfather; a perennial laborer whose callouses and scars said, “this is a man who found life tough and unforgiving.” But his crow’s feet and smile lines spoke of a lifetime of joy as well, found in a woman whose smile made his heart ache and a daughter whose cry of “Papa” after months away made him weep. Though they were not particularly close, Tanatski liked Leio, and he thought the feeling was mutual. This situation could be resolved by talking with him if he found the right excuse for his earlier behavior.

    Tanatski heard shouts in the distance, likely Hya’s sister and her friend. His suspicion was immediately confirmed when Hya cupped her mouth, shouting, “Chrys, over here!” 

    A minute later, two girls came rushing over a ridge, disheveled and panting heavily. They slowed when they were about a dozen yards away, eyeing Tanatski and Leio cautiously. Unlike Hya, they were dressed for hiking, with boots sticking out beneath neat, utilitarian dresses. The one on the right was blonde, hair done up in a French braid and with a soft, rosy face, the kind that must drive boys her age mad. From her furrowed brows and clasped hands, Tanatski could tell she was scared of him and Leio. The girl on the left was bolder if still wary, striding forward with a squirrel hanging limp at her side. Tanatski took it this one was Chrys. She looked much like Hya, if a few years older and with light brown instead of dark hair.

    “This is Leio and Tan! I met them at the old train by Teller’s creek. They work as tracklayers. Did you know that to the east they have train yards with hundreds of engines passing through every day? And some of the new trains use an oil called diesel instead of steam! Leio said in 20 years they’ll be powerful enough to pull hundreds of boxcars instead of a few dozen!”

    Chrys eyed the two men. “You work for Abell & Ëwer Railways?”

    Leio responded, “We do. We were heading back to our camp after cleaning ourselves at the creek when we met your sister. Reckoned we should make certain she arrived home safely. 

    Chrys nodded curtly. “Thank you. But I can take it from here.” She turned to Hyacinth. “Hya! Making trouble for these two men. And I told you to change out of your school uniform. Look at you now! Grass stains all over your petticoat. Pa’s going to kill me."

    Hya rolled her head towards Tanatski and grinned mischievously. “See what I have to deal with?”

    Chrys sighed and grabbed Hya by the wrist. “C’mon then, let’s try to get you cleaned up. And thank you again,” she said to Tanatski and Leio.

    “Bye Leio! Bye Tan!” Hya called back as she was dragged away. “And don’t worry, I’ll never tell your secret, Tan!”

    “What secret?” Chrys asked.

    “I said I’d never tell!”

    Tanatski and Leio waved goodbye. The blonde girl, Allysum, hurried to catch up with the sisters, glancing nervously over her shoulder at the men. Soon, the three of them crested the hill and were out of sight.

    Leio stretched his leg and began rubbing his knee. “Damn arthritis is acting up. Give me a moment and I’ll be good to set out.”

    Tanatski exhaled deeply. “Listen Leio. The story about the Burnt is true, but-“

    “Son, you’ve got nothing to answer for,” Leio interrupted. “Sometimes, a man’s past is best buried deep. I understand.”

    Tanatski wiped his forehead with relief and bowed gratefully to his elderly coworker. “You know, I owe you two krupels. You were right about the girl not being alone.”

    “I said I was being rhetorical with that bet,” Leio snorted. “But since you insist, I wouldn’t mind a couple of bottles tonight before we continue east.”

    “Consider it done.”

    After Leio was satisfied with his knees, the two began hiking back towards the camp set up for the railway laborers. It was a short matter to return to the disused and overgrown railway that the archaic steam engine had rested upon. From there, they turned west. By the time they had emerged from the tree line, the sun was nearing the horizon. In the distance, they could see a collection of buildings marking the town center. New Glocheim was home to little more than a thousand residents, but in this region that was sizable. It might have grown much larger if it had not been sandwiched between larger settlements only a hundred or so miles to the east and west, along the intercontinental track. As it was, trains almost never stopped at New Glocheim. The only reason their transport train had made a pitstop here was because a manager had severely mismanaged their supply of coal, so they needed to refuel. And apparently it had been a nightmare scraping together enough coal in this Podunk town.

    The campsite had been set up farther down the railroad next to the line of box cars, after the disused tracks coming from the woods merged with the intercontinental railway. Despite the distance, the camp appeared to be in a flurry of activity. Tanatski looked to Leio, who shrugged.

    As they drew closer, it became clear the camp was being torn down. Most of the tents had already been dismantled. Among the remaining ones and day-old firepits, scores of men swarmed, gathering tools and supplies to load onto the boxcars. Tanatski spotted one of his closer coworkers. He shouted out, “Iito, what’s going on? I thought we were departing tomorrow morning.”

    Iito hurried over, lugging a sack of tent stakes over his shoulder. “Tanatski! Thank the Spirits. I thought you might not make it in time. You too Leio. I doubt Fraudrich or the other managers would have waited for you.”

    “What’s going on?” Tanatski repeated.

    “There’s been an incident. Nazou tried to order a beer at the tavern and was refused. One of the patrons spat on him, so he shouldered the man as he was leaving. Things escalated from there. Bunch of the men ganged up on him, and he would have been beaten to death if someone hadn’t called the sheriff.”

    Iito shook his head. “He’s in critical condition as it is. The real issue is that during the brawl, he stabbed one of his assailants in the stomach with his pocketknife. The man probably won’t make it, and now the entire town is out for blood.”

    Tanatski cursed in Hakani. “Nazou, that idiot. All the locals needed was an excuse. He should know Samarans like them are nearly as radical as the Cedish. They hate the Burnt, and anyone southern by association.”

    Leio shrugged, face dark. “This was his first assignment this far west, near the Ravages. He was ignorant. If he survives, he’ll have learned his lesson.”

    “A mob’s gathered on the outskirts of the town,” Iito continued. “Fraudrich led a couple of foremen with clubs to head them off and delay until we’re ready to leave.”

    “How many foremen?” Tanatski asked.

    Iito thought for a second. “Six, maybe?”

    “That’s not nearly enough. I’ll go help them.”

    “Don’t be suicidal,” Leio said. “The locals will tear you apart.”

    “Not if they can’t see my face properly. Can I borrow your cap?” Tanatski proffered his hand to Leio.

    Muttering under his breath, the man carefully doffed his hat and handed it to Tanatski, who proceeded to draw it down over his face, obscuring his Oriental eyes.

    “Thank you,” Tanatski said. “I’ll see you both again shortly.” 

    He started jogging in the direction of New Glocheim, grabbing a nearby crowbar from the ground as he left camp. Before long, he caught sight of the mob Iito had mentioned. Several dozen men interspersed with a couple of women had amassed before a small group of foremen, who were trying to shout down the screaming, hysterical crowd. At the head of the defensive formation stood Fraudrich, shouldering a rifle aimed at the mob’s foremost ranks. Next to him, a dark-haired man marked by a sheriff’s badge held a similar weapon, though he pointed his at the ground. The only reason the mass of locals hadn’t overwhelmed the foremen was the threat of being shot. Many of them carried makeshift weapons, but none of them carried any guns, which Tanatski considered a miracle. He quietly thanked the Spirits for the blessing.

    Tanatski pulled up near one of the foremen, who scanned him uncertainly. He didn’t protest though. This close, the roar was deafening, and spittle from the crowd nearly reached his boots. Over the din, he could barely hear the sheriff trying to reason with them.

    “Listen! The man will be tried for his crimes. I will personally guarantee it. But he’s as badly injured as Osier. Do you really want our town to be known for setting on a man who can’t even fight back, like a pack of rabid dogs?”

    If the sheriff’s protestations had any effect on the mob, Tanatski couldn’t see it. The horde of Samarans pressed against him, one man briefly stepping out, brandishing a long hunting knife and with murder in his eyes. Tanatski raised his crowbar menacingly, and the man shied away, absorbed back into the masses. Rocks flew from the crowd, and one caught Tanatski in the arm, making him wince. Make no mistake, this was a dangerous situation. But Tanatski had seen his fair share of fights. And this was nothing compared to an actual battlefield. 

    Tanatski heard the sheriff curse loudly and glanced towards him. The man was extricating himself from the defensive line, rushing off to the side. Tanatski felt cold sweat bead along his back. With half of the formation’s firepower removed, the swarm of rioters redoubled their efforts, threatening to tear the squad of foremen in two. Fraudrich released a warning shot, temporarily driving the mob back. During the brief respite, Tanatski’s eyes followed the sheriff, and his heart dropped. 

    Twenty yards back, approaching from the nearby town, Hya and her sister, Chrys, stood facing the sheriff. Tanatski couldn’t hear the sheriff’s words, but Hya ran up to him, hugging him about the waist. Chrys held back, staring at the frenzy in terror. 

    Spirits, the sheriff must be their father. No wonder he’d left the foremen in such a panic. His children were in danger. As Tanatski watched, several pebbles flew in their direction, one of them nearly clipping Hya. The sheriff turned to bellow back at the crowd, and Tanatski was forced to turn his attention back before him as the mob resurged. A fist came at his face, but he twisted to take the impact on his shoulder. Gripping his crowbar in both hands, he thrust the rage-induced man back, but more bodies swarmed towards him. The moment he began swinging his weapon wildly and seriously injured one of them, they’d lose what little self-control they had and fall on him like wolves. As it was, the turmoil was reaching a breaking point, and-

    BOOM. 

    An explosion rocked the clearing. 

    Tanatski was clear of the blast zone, but flames licked at the edges of the mob, and the panic reached a crescendo as men and women desperately clawed at each other to escape the fire, which had begun to spread among the prairie grass. The crowd began to disperse, some fleeing, some struggling to stomp out the flames. Others stood in stunned silence, including Fraudrich and the foremen. Tanatski’s instincts kicked in, and he started making his way to the source of the explosion, which was shrouded in a massive column of smoke. In the wake of the shockwave, everyone had vacated the area immediately surrounding the blast, so Tanatski encountered little resistance from the crowd. He reached the edge of the smoke where he stopped, masking his nose and mouth with one hand while he waved the fumes away with his other. He dreaded what he’d see once the cloud dispersed. But a morbid sense of honor drove him to pay testimony to this tragedy. A tragedy that was all too familiar to him, in form if not detail. The smoke cleared, and Tanatski bore witness.

    At the center of the smoldering clearing, surrounded by a ring of destruction, a lone girl kneeled, two forms laying in the ashy soil before her. The larger of the two was scorched black and bubbling, with a chunk blown out of its midsection. Tanatski could smell roasted human flesh carrying on the breeze. The smaller of the two forms was more obviously human, but red, blistering welts lined half the body, and it wasn’t moving. Light chestnut hair veiled the girl lying between the corpses, and Tanatski could just barely make out her face. 

    It was Chrys.

    Her chest wracked with sobs, hands shaking before her, she stared vacantly at the bodies of her sister and her father. Her dress was charred and shredded to smithereens, but she appeared unharmed apart from a couple spatters of blood. Tanatski couldn’t tell if the blood was hers. 

    As he strode closer, he could hear her muttering something under her breath over and over. She was a in a state of shock and would be unresponsive for some time. Tanatski was also in shock, but not nearly so bad, and he had trained to function under extreme emotional distress. So it was with striking clarity that he pieced everything together.

    The girl was Burnt.

    From the volume of smoke, the explosion was biological in origin, and the condition of the sheriff’s corpse indicated his clothes were the source of the eruption. Tanatski guessed that Chrys had unconsciously and unintentionally Primed the fabric as she reached for her father. Most likely, she’d had no idea what she was doing, nor what she was. The powers began to appear during adolescence, and extreme stress could drive a developing Burnt to manifest their abilities uncontrollably. It was why many Burnt did not survive to adulthood if they weren’t trained properly. 

    But Chrys had survived an explosion the size of a mortar shell at point-blank range, which was highly atypical. Few Burnt possessed resistance to their own abilities, and if they did, it usually took the form of a very limited tolerance to high temperatures. Full flame-immunity combined with impunity to forces that should rend the human body apart were unheard of. And yet, here stood living evidence of one such Burnt.

    Tanatski noticed a crowd beginning to gather in the vicinity, Samarans and foremen alike, shocked into silence. But even as Tanatski stood there, he heard a low murmuring unfurl through the masses. One woman stepped forward and began screeching. 

    “That child survived hell’s destruction! It is proof! Proof she is one of them! She is godless! Demonic! A scourge upon the earth!”

    The crowd’s murmuring rose into a low rumble, pierced by even more screams of religious fervor. Tanatski closed his eyes. The mob would kill this girl. They would string her up and lynch her. She wouldn’t resist. The foremen and the laborers wouldn’t resist. They would kill her, and while this was a tragedy, it was no sin. The girl could not have meant for this to happen. It wasn’t her fault. It wasn’t her fault.

    Tanatski could feel an old, familiar rage rising in his gut. Lips snarling, he clenched his fists, itching to wreak a devastation upon these people they could not even imagine. He itched to show them what hell was truly like, to release heaven’s divine wrath upon him. This feeling was an old and comfortable one, and he relished it. But it also terrified him. 

    Tanatski let his fury pour through him and out of him, forcing his body to hang limp. If he was going to save this girl, he would do so not out of rage-induced delirium, but because the girl had no one else. She was broken, and alone. And nobody deserved to be alone.

    As fanatical men and women started to prowl towards the broken girl, Tanatski reached into a pouch concealed beneath his shirt, designed for rapid access. He withdrew a dozen smooth, slate grey marbles, and extended his power into the ceramic spheres, Priming them. As he assessed the surrounding crowd, he noticed Fraudrich stood near him, still carrying a rifle. Good. He would need the weapon. 

    Knowing what was coming, Tanatski closed his eyes and averted his gaze so that not even his eyelids would be pierced. Recalling their positions, he hurled a flurry of marbles before the crowd. And the ground erupted in a deafening thunder that dwarfed the earlier explosion.

    Immediately, Tanatski opened his eyes. The dying flash of white still left afterimages, but he could see well enough for his purposes. He pinpointed Fraudrich and threw another marble directly at his feet while again averting his eyes. After this final detonation, he sprinted to the reeling manager and tore the rifle from his grasp. Despite the ringing in his ears, Tanatski’s sense of balance and vision remained unaffected by the sound. It had been that way for as long as he could remember.

    Slinging the gun over his shoulder by its strap, Tanatski rushed towards Chrys as all around him people staggered about, clutching their eyes or ears. She appeared unaffected by the flash grenades but continued to stare sightlessly at the ground. Tanatski effortlessly slung her over his shoulder in a fireman’s carry, and she remained limp in his arm. He began pumping his legs, hurtling himself and Chrys towards the distant tree line. After about 50 yards, he turned about and flung one last volley of grenades towards the gathered mass. It was too distant to affect them much, but it would serve as a warning not to pursue. 

    Doubtless, Tanatski had left many permanently blind or deaf. The grenades emitted very little heat, and the blast radius was miniscule, so they wouldn’t kill. However, at close quarters they often resulted in permanent sensory loss. He couldn’t find it in him to care. After all, that mob had been about to kill an innocent child.

    As he grew closer to the forest, he focused, trying to recall the map of this region he had briefly viewed a couple days before. Eventually, there would be pursuers, but there was a nearby hellhole to the northeast, and if he located it before he was caught he'd be safe. They would never follow him near it. It all depended on how accurate his memory of the map was, and if he could correctly navigate the woods.

    Distantly, Tanatski realized he had once again thrown his life away. This day would have consequences, and only the future would reveal how far they reached. But as he carried a child away from her would-be murderers, Tanatski found only resolve in his heart. He would save this girl, no matter the cost.

     

  3. Right off the bat, I'm going to address the lie by omission in the title. Goodbye Eri is not prose, but instead a one shot manga. But wait! Before all you fantasy readers leave, you should know this is one of the best stories I've read in recent memory. There's a reason I'm recommending this on a forum not dedicated to mangas or anime, and that's because I feel like it's one of those pieces of fiction that transcends the medium, and I don't say that lightly. So please throw out any of your preconceived notions about manga. If you simply want to read a great story and you're willing to give the medium a try, Goodbye Eri only takes about an hour to read and it's free to view on Viz (this is the link). 

    Here are my thoughts (spoilers!):

    Spoiler

    While I've read most of Fujimoto's other works, the technical prowess he displays in Goodnight Eri is beyond anything he's done before, especially in terms of plotting. Stories within stories has always been such an interesting literary device; I was fascinated by it when I was introduced to it in The Name of the Wind, and still am today. And Goodnight Eri does it so well, with a movie within a movie within a movie. First, Yuto's initial attempt at a movie was re-contextualized when we saw the video of his mom dying and realized how abusive she was. Suddenly, him ending his first movie with the hospital explosion makes a lot more sense. It's still shows his desire for a fantasy element in the story as well as his inability to think of a good ending, but it also hints at the underlying strain in his relationship with his mom. Initially, I was just as baffled as the students who watched the movie as to why he would disrespect his mother's death like that. But in hindsight it feels like Yuto's use of the explosion was an attempt at seeking catharsis, to alienate himself from his relationship with his mom, which I'm confused him being filled with equal parts love and hate.

    Then, after the second movie screening, everything's turned upside down after we learn that Eri perfectly mirrors Yuto's mom in that they are both very selfish and temperamental people who are portrayed as their ideal selves through Yuto's editing. Eri's reveal is especially impactful as we find out she normally wears glasses and a retainer, only taking them off for shots going into the movie. And if you look back through the panels, she is never wearing glasses. So Yuto's suicide attempts were staged, which click immediately because really, what are the chances Eri just happened to be on the hospital roof when Yuto was about to jump off? It's like something out of a fictional story, because it actually is. And of course Yuto straight up tells us his romantic relationship with Eri was fabricated, though he clearly had feelings for her since he asked her out. Since we know we can no longer trust the narrative, us readers have to figure out their relationship through inference. For example, I think it's clear that Yuto cared about Eri more than his mom because even though he showed clips of his mom's hidden, darker side, he doesn't actually present similar clips of Eri, even if he tells us about her true self. This shows how strongly Yuto wanted to preserve the ideal image of Eri, even moreso than his mom.

    And the ending was so brilliant. First, it was a really clever way to subvert our expectation that the terminally ill, romantic interest dies. I mean, I believe Eri still actually died; I think the explosion at the ending made that clear. But within the meta narrative of Yuto's story, she lived beyond her death. Speaking of the last panel explosion, it's brilliant in that Fujimoto somehow turned what should be terrible ending into a great one. Normally, using an explosion should signify an inability to think of a proper ending, but within the overarching narrative, Yuto's final use of the explosion perfectly parallels the beginning of the tale, bringing the type of symmetry to the plot that I love. 

    Some general aspects I want to talk about:

    • The ambiguity throughout the one shot is so well executed. I've already talked about it to an extent, but there are so many aspects you that can be interpreted in multiple ways. With the ending, you could interpret Eri as actually being a vampire, though I think this is the least satisfying interpretation. Also, while older Yuto claims the rest of his family died, this probably isn't the case since we don't see any of his purported family members and Eri's reincarnation establishes the fictious nature of the ending. But is older Yuto actually recording himself in the ending? Older Yuto's character design looks enough like his father that we can't be sure whether his dad is acting as him or if Yuto actually aged before filming the ending using himself. It's possible Yuto had aged, and edited himself into pre-existing clips of Eri to create the narrative he wanted, or he could have planned out the whole exchange with Eri and had his dad act as an older version of him. This is just one example of how ambiguous the tale is as a whole. 
    • Eri being a vampire in the narrative is actually really clever. Yuto's reasons make sense; he said he wanted "to add a sprinkle of fantasy" and that Eri seemed like a vampire seeing as she brought him to a decrepit, abandoned house. But within Fujimoto's narrative, being a vampire symbolizes both the darker side of her personality as well as her parasitic reliance on Yuto to portray her in a positive light.
    • Thematically, the story was very powerful. The exploration of the nature of storytelling was nuanced and expansive, and it provided a through-line in the manga to create cohesion. If I came away with any message, it's that there's no such thing as a true story, not even we are told are nonfiction. To tell a story is to lie; the writer can't help it, by choosing what details to include and which ones to omit, they portray things not as they are, but how they see them. Also, it was heart-wrenching to see someone's journey to process their grief, sorrow, and pain through creating a movie.

    It was a fantastic story. That's all I can say at the end of the day, despite my ranting. And I think more people deserve to experience Goodbye Eri, which is why I'm making this post. If you're reading this, I hope you enjoyed it as much as I did. 

     

  4. Quote

    “Give it to me,” Gavilar said. “Now. I need it.”

    The Stormfather turned a shimmering head his direction. That was almost them.

    “What, those?” Gavilar said. “Those were almost the words? A demand?”

    So close. And so far.

    Here's another wildly speculative take. I just realized that this passage's emphasis on a command being the correct words to join the Oathpact is very reminiscent of the Dawnshards. Perhaps the Dawnshard Unite or Connect or whatever this hypothetical Dawnshard is called was integral to the formation of the Oathpact. It certainly explains how Honor was able to forcibly bind Odium to Roshar while other Shards did not do so when Odium attacked them. Not that this is the first time this idea has been suggested, but I think this passage is hinting at such a connection between the Oathpact and a Dawnshard.

  5. Quote

    “No,” Thaidakar said. “I only want you to take care. Restares is not what you think he is. None of this is what you think it is. Deliver him to my agents, then we’ll give you what you said that you wanted: a return of the ancient days you’ve hungered for. A chance for the powers to come back.”

    “I’ve grown beyond that,” Gavilar said.

    “You can’t ‘grow beyond’ the tide, Gavilar,” Thaidakar replied. “You swim with it or get swept away. The things we’ve started are in motion. And to be honest, I don’t know that we did that much. I think that tide was coming whatever we did.”

    The two bolded lines in particular make me wonder whether the Ghostbloods played a role in Chana's death, assuming Chana is actually Shallan's mother. 

  6. A Silent Voice got me, so if you’re open to anime please watch this movie, it’s great. But nothing has devastated me as much as A Dog’s Purpose. For a movie that critics have decided is utterly mediocre, it has made me cry on every rewatch. What can I say, I like dogs.

  7. Quote

    "What are you?" Gavilar whispered, hoarse.

    "The biggest fool of them all," the Stormfather said, "and the thing that has miscalculated. Goodbye Gavilar. I've seen a glimpse of what is coming, and I will not prevent it."

    The biggest fool of who all? It could be a turn of phrase, and referring to them in a broad sense. But this makes a lot of sense as the greatest fool among the Heralds if this is Ishar speaking. There are a lot of comments like this in the intro that make more sense if Ishar's speaking, but I don't really want to go through and transliterate them all. 

  8. Is this poll premature? Hell yes. We don't have SP #4 yet, and of the two cosmere projects we do have, we only have 5-6 chapters each, and those not even the final drafts. But! Based on a sample size of two of Brandon's staff (Karen and Peter), these seem to be vying for most beloved. So what's your favorite secret project? And no takesy backsies after SP #4 sample chapters are released, or the full books come out ;).

    At this point, I definitely prefer SP #1, mostly because I loved the modern fairy tail tone, and it legitimately made me laugh on multiple occasions. Meanwhile, SP #3 is a return to normalcy in terms of tone, which is still enjoyable but obviously lacks novelty. SP #1 also possesses the advantage that we actually get to see enjoyable character interactions throughout the excerpt. In SP #3, so far the focus has been on world-building and developing the two lead character's internal conflicts, which by necessity takes more time seeing as us readers are split between 2 protagonists and 2 worlds. So, SP #3 is more of a slow burn, and it's unfair to expect it to progress as quickly as SP #1. That doesn't mean it's still less engaging, considering Yumi and Nikaro (I refuse to call him Painter) are both very isolated socially.

    I also want to say that while I preferred the tone of SP #1, I think it can be improved. During the first couple of chapters in particular, the witticisms and jovial attitude felt slightly forced simply because the meta commentary and jokes were so concentrated. It felt like Brandon was looking for every opportunity to stick a one-liner in rather than allowing the reader to breathe a bit. In later chapters, there was a significant drop in the prevalence of the tone, which I think is a definite improvement. But IMO, you can tell Brandon was experimenting in this novel.

  9. Just speculation at this point, but I'm assuming that on Painter's world, the darkness only absorbs energy in the visible spectrum, so the temperature is still regulated by the sun with relative normalcy. Any deficits in heat caused by the absorption of that particular sub-spectrum of energy could be accounted for by a denser atmosphere.

  10. Yumi's plantet is definitely not Sel considering A.) Brandon commented (in a livestream I believe) that all of the planets/shard worlds we encounter in the secret projects will be new ones, and B.) The giant red sun and other aspects of the environment are incongruous with Sel. I'm pretty sure that Hoid called the chopsticks Maipon Sticks not because the locals called it that, but so that his audience understood what he was talking about. 

  11. Always glad to see another AoT fan :D. It’s unfortunate that Wit Studio dropped it after season 3, though it’s understandable given how little time they had for production and their financial concerns. It was Wit’s insanely high production quality combined with Isayama’s brilliant source material that made AoT a phenomenon which transcended the medium. Mappa’s doing a decent job with animation, but the animation has gone from amazing to merely above average. Still watching it for the story though.

  12. Do you intend your elemental magic to be a soft system like Avatar, or do you want it to be a hard system? If you're imagining it at as a soft system, I don't have much to offer, though I will say I really like the concept of elemental manipulation being powered by adjacent elements. If you instead want it to be hard, I can totally offer you some ideas.

    For your general worldbuilding, I'll have to echo Frustration's comment. Your character concepts, your ideas of gods, and your cultural relations are all single-mindedly guided by your political views. There's nothing wrong with letting your political beliefs influence your writing. Write what you're passionate about, and if you're passionate about your political views, you should definitely incorporate them into your stories. Hell, there's nothing inherently wrong with being politically didactic, though such stories can be very divisive. However, politics becomes a problem in writing when you oversimplify the issues, their origin, or reality without meaning to (allegorical tales are an example of intentionally simplifying issues to make a fundamental truth more obvious). Based on the outline you shared, which I admit may not be comprehensive in its descriptions, it feels like your story is expressing that "progressive = good, conservative = bad," and this idea is so pervasive that your world feels black-and-white and lacking in depth. 

    I'm not saying you need to overhaul your story. There are a lot of things I like, such as your protagonists, especially the Boyfriend because let's face it, we need more transgender  characters in fiction. But I do have a few recommendations for adding nuance to your world and plot.

    • Be careful how you write your protagonists in a society which is definitely set before the equivalent of the European High Middle Ages, based on the lack of gunpowder. While the protagonists are all outsiders, their perspectives shouldn't only be antagonistically reactive to the dominant culture. How has the dominant culture influenced their views subconsciously to align with popular ideology? Basically, make sure your protagonists don't feel like modern progressives set in the age of antiquity.
    • I'd consider characterizing your gods in a more primal, archetypal way. Basing the deities purely on political concepts feels odd because such systems are very human in origin, filled with biases that aren't fundamental in nature. You can still achieve a very similar setting by narrowing the core of who Ahriman is such that his beliefs, motivation, and then interference in the world would result in a fascist society. This prevents the cosmology of your entire universe from feeling directly inspired by real world politics.
    • Since your viewpoint characters are such complete outsiders to general human society, your plot could benefit from a major character that's a sympathetic and understandable insider. I'm not saying you need to advocate for fascism, but the story will feel less monochrome if it doesn't feel like every indirect supporter of the fascist human society is pure, villainous scum. 
    • In a similar vein, I'd think through the basis of the human-shim war. In its current state, it's a blanket-statement genocidal war motivated by a society being... evil. While ethnic prejudice is a common factor in historical wars, it was rarely the sole driving factor. Often, it was more of an excuse to motivate individual citizens to fight for resources, which is usually the real reason wars start. What historical war do you want your fictional war to mirror? Do you want your human civilization to reflect European colonialism, driven by rapidly accelerating technological advances which led to depleted natural resources, increased competition within Europe, Darwinism, and the ability to expand due to said tech advances? Is your human society like the Islamic caliphates, formed through a combination of religious warfare and cultural absorption through conversion, both made possible by a coherent and unifying ideology merging religion and politics in a way that Medieval Catholicism could only envy? If it's a largely race-based bloodbath you want, Nazism and Imperial Japan are the quintessential examples. WW2 Japan was a product of simultaneously adopting foreign technology while retaining a high degree of cultural isolation, enabling the formation of a nationalist state on a resource barren island that literally required expansion to maintain its current trajectory. And if any war was completely race-driven, it's WW2 Germany. But even the Nazi state has a nuanced origin that can be traced to the Treaty of Versaille, which unjustly placed almost all of the blame for WW1 on Germany, leading to sanctions which economically ruined the nation and creating the domestic suffering and hatred needed for a doctrine like Nazism to take hold. Wow this bullet point ended up long. Just think through your war more, lol.

    Edit: Bear in mind my recommendations are just that; recommendations. I don't want to tell you how to tell your story. At the very least, I just hope you understand why I think your world needs to be developed more. 

  13. In the last half a year or so, two new research papers have been published which validate warp drives as potentially achievable at some point. Which is super exciting! There has been very little progress on warp drives since Alcubierre first proposed this theoretical method of travel. One of the largest hurdles was that up to this point, any solutions to Einstein's field equations which satisfied the conditions for warp bubbles required negative energy, which as far as we are aware, is physically impossible. Thus, it has been assumed that such technology would require exotic matter, which is physicist for "matter which shouldn't exist based on our current understanding." However, these two new papers have found solutions which require purely positive energy. This first one, "Introducing Physical Warp Drives" by Alexey Bobrick and Gianni Martire, found a solution with positive energy requirements for subluminal velocities in addition to optimizing the energy requirements. The second paper, "Breaking the Warp Barrier: Hyper-Fast Solitons in Einstein-Maxwell Plasma Theory" by Erik Lentz, discovered solutions for superluminal warp fields, so assuming his calculations prove correct, FTL travel is officially possible given our current understanding of physics. Bear in mind that these paper have yet to be peer-reviewed, but from what I've heard they both stand very good chances.

    Even given these new solutions, though, warp drives remain far outside of our current capabilities. The lowest theoretical energy requirement yet obtained for a 100 m warp bubble is 0.1 M, or 10% the mass of the sun. For comparison, Alcubierre's original model required more energy than was contained in the universe, so at least we've made progress? Plus we're far from exhausting methods of reducing the energy requirements. I watched a lecture by Lentz summarizing his paper, and he was positive that within the next decade, someone will either find a solution with practical energy requirements or the obvious routes for decreasing energy requirements will be exhausted and we'll have to wait for another breakthrough. Another practical issue with warp drives is that all of the current models assume constant velocity, and so acceleration has to be figured out. And there's probably numerous other problems that I'm unaware of. Still, I'm amazed we're making any progress at all. With any luck, I'll live long enough to see us experiment with warp bubbles in the lab. It's a long shot, but less of one that it seemed one year ago. 

    This video summarized the new findings really well, and it also provides links to the original papers in the description.

    https://www.youtube.com/watch?v=Vk5bxHetL4s&t=142s

  14. 4 hours ago, Wit95 said:

    I would love to hear you thoughts on The Malazan Book of the Fallen in case you've read that. Do you think this would fit in my criteria too? I'm asking because I posted this on reddit and many people recommended Malazan. 

    I actually haven't read Malazan, though it's on my TBR list. I can really only get into one megaseries each year. Two years ago it was Wheel of Time, last year it was Dresden. This year will probably be Malazan.

  15. If you're looking for books with epic battles, revelations, etc., here are my recommendations:

    The Lightbringer Series by Brent Weeks - The twists and turns in this series are superb, and the world building, specifically the magic system, are sooo well done. Weeks used to be in my top 3 favorite authors, though after reviewing his work and expanding my reading horizons, he's since dropped off. Still, Lightbringer is a must-read IMO if you're a fan of Sanderson since the two authors are very stylistically similar. 

    The Rage of Dragons by Evan Winters - Man, this book was a quick read. It's a classic revenge story taking place in an ancient Nigeria inspired fantasy world, and throughout all media, I've rarely seen vengeance arcs done so well. The protagonist's hatred is so visceral, driving him to become almost superhumanly powerful without magical abilities, in a world where magical strength is the standard for elite warriors. Winters story doesn't take too many unexpected turns, but it doesn't really need any considering the sheer charisma of his cast of characters.

    Gideon the Ninth by Tamsyn Muir- The front cover blurb says it all: "Lesbian necromancers explore a haunted gothic palace in space." This is not your traditional SFF, and I'm not sure if it's quite what you're looking for since the focus is on the stylization of the characters and setting, but I think the plot is still cinematic, especially the last 100 pages or so. If you want to get outside your comfort zone a little, give this book a try.

    The Dresden Files by Jim Butcher - I'm sure you've heard of Dresden if you pay any attention to the fantasy community. I put this series off for a long time because 17 books (15 at the time) seemed like a lot. Every day I regret not reading the series earlier. If you can ride out the first two books, which are pulpy and not terribly distinctive, you are in for a ride. It picks up on the third book, and Butcher does not let up. The books still remain somewhat episodic, but different plot lines and characters start to be weaved together into a vast, expansive universe. Later in the series, Butcher pulls off some jaw-dropping moments, and a cliffhanger that would have killed me if the next book hadn't come out yet. In terms of Sanderson style avalanches, Dresden is one of the few authors I've read who has matched Brandon. Just get through the first few books and you'll be in love. And really, the first two books aren't bad by any measure, they just don't hold up to the rest of this majestic series.

    The Greenbone Saga by Fonda Lee - Think "The Godfather" set in 1960s fantasy Japan/Vietnam with Abercrombie style morally grey characters. Of the Asian inspired SFF I've read, this is probably my favorite one. It's highly character driven, and if you're a fan of Abercrombie's style you'll definitely enjoy Fonda Lee.

  16. Just finished RoW and I loved it. Were there faults? Yes, but after seeing some of the book tuber reviews, I was afraid it wouldn't resonate with me like the previous books have. Thankfully I was wrong. Storms knows I cried during Kaladin's POVs leading up to him swearing the 4th oath. Anyways, I wanted to discuss what I consider a major theme in the book. Everyone is fallible.

    If there's one thing this book has shown, it's that even gods mess up in huge ways. No one is omnipotent; no one is perfect. In fact, those who should be the most powerful, those with all the experience and skill and knowledge to back them, are sometimes weaker because of their capabilities, because of the arrogance it invites. We see this time and time again in the book. Raboniel is set up as one of the most dangerous Fused. From her introduction, we see that Leshwi is terrified of what she is capable of. We learn she developed a biological weapon that wiped out a tenth of humanity. Then we see Raboniel outmaneuver everyone else, manipulating others to obtain her objective. Especially Navani, who fell right into Raboniel's traps multiple times. And yet, in the end, Raboniel herself is tricked with a relatively simple trap; a momentary distraction from Navani leading her to step on a pain fabrial. 

    R-Odium's also set up to fail. This we expected since WoK when Honor suggested a duel between champions was the only way to beat him. However, Cultivation's mistake came out of left field. A lot of us sharder's have made her out to be brilliant and subtle strategist, using Fortune to find pathways to victory the enemy cannot foresee. And that she is, but I know I've over inflated her abilities in my head. I thought her machinations would be what proved the deciding factor in the war; I considered her the infallible wild card no one would see coming. This is what OB led us to believe, considering how deftly she outmaneuvered R-Odium with Dalinar. We expect her other machinations to similarly succeed. Instead, she doomed everything. Cultivation, for all her knowledge, bestowed the shard of Odium on a man she thought she knew, but she was oh so wrong. Instead of leading to a peaceable end to the conflict by ensuring Odium was controlled by someone of Honor, someone who shared her aspirations for peace, Cultivation put the Shard in the hands of a man who shares Rayse's desire for domination. And this man is so much more capable than Rayse.

    And of course, who can forget the epilogue. I'm seeing a lot of theories here that Hoid came out on top somehow, that he merely pretend to have lost his memories the second time, and that Taravangian did not come out on top in that exchange. But considering the emphasis Brandon put on showing everyone is fallible, I think it likelier that Hoid was deceived by T-Odium in truth. I know all us consider Hoid someone that is always on top, will always be several steps ahead of everyone else. But what better way to establish this theme of fallibility than to show that even he makes mistakes and can be manipulated. To be fair, I believe Hoid will eventually realize his memories were tampered with, but I don't think it will be in time to interfere with Taravangian's plans for the duel. 

  17. 6 hours ago, CaptainRyan said:

    Small correction, the 20 "allied" Sleepless includes the First, so the total number of "allied" Sleepless is 20, there are 3 "rebels", and Arclo (sp?) is solo. 

    I don't have the link handy, but I believe Brandon clarified this in the Reddit thread for Dawnshard's annotation. It might also be in the Arcanum event for the same reddit thread. 

    Thanks for clearing this up. I hadn’t seen the WoB yet, and the way it was phrased in book was very ambiguous.

    4 hours ago, Ashbringer said:

    ... I think each of those monsters WAS a Hordeling... a single Hordeling.

    If they were composed of a bunch of small Hordelings, Huio wouldn't have been able to kill one with a Shardspear. It would only kill the Hordelings it hit. And I think Nikli would have a different form of combat if he had a giant mass of Hordelings instead of a set of big ones.

    ... which implies that what we saw in the battle was just Nikli. The youngest Sleepless.

    Oh god. That’s terrifying. That makes a lot of sense that Huio was able to kill one then. I just hadn’t considered it because it seems so OP.

  18. We got SO much information about the Sleepless in Dawnshard. One thing I want to dissect is the extent of their abilities, because we got a few more tidbits.

    1. The size limitations of a Sleepless' horde - Nikli is able replicate a dead Santhid by itself. The description of Santhids in the coppermind says, "Santhidyn have a dome-shaped brown-green shell on the top of their bodies, about the size of three rowboats tied together and at least six or eight feet in height." We also know much of their mass is below the water, so they're probably somewhere between the size of orca whales (~10,000 lb) and humpbacks (~60,000 lb). That's a LOT of hordelings, more than I was expecting honestly. So the answer to this WoB

    Quote

    Nashan'Elin

    The Sleepless. If they got enough hordelings, how big could they get?

    Brandon Sanderson

    There is a limit. It is larger than you've seen on-screen before.

    Nashan'Elin

    Chasmfiend size?

    Brandon Sanderson

    RAFO.

    Skyward Denver signing (Nov. 15, 2018)

    is that a Sleepless could probably form a creature the size of a Chasmfiend.

    We also need to consider the size of the monsters at the end. It's difficult to get an exact size estimate, but we do get descriptors. First, they are able to fit Huio in their mouth while he stands. Two, their legs are described as spindly compared to the body, but the legs are also the thickness of tree trunks. I get the impression that these creatures are much larger than Santhids. However, it's interesting that there are a total of seven of these monsters; one originally, then six more followed. We also know that there are 20 Sleepless following the First, making there a total of 21 Sleepless actively guarding Akinah. We don't know for sure that all of them were present on Akinah, but considering how important they consider its defense and the presence of a large group of people containing multiple Windrunners, it's not unreasonable to assume they went all out and all the Sleepless were present on Akinah at the end of Dawnshard. This could imply that each monster was comprised of three distinct Sleepless hordes, which would mean hordelings from different Sleepless are capable of working in conjoint to form larger masses. It's definitely a stretch to say we know absolutely that the monsters were comprise of multiple Sleepless, but the numbers divide by each other, and I can't think of any reasoning for why Sleepless would not be able to combine hordes to create larger creatures.

    2. Sleepless communicate with each other via vibrations - Not much to say on this one. We knew they could communicate long distances before Dawnshard, though I don't think we knew the method, so it's nice to find that out.

    3. Sleepless are able to breed with species that are not a part of their own horde or any other Sleepless' - This is evident since Nikli mentions they were able to create hordelings capable of consuming Investiture by cross-breeding with Larkin. I'll be honest, I had never considered this before. I had always assumed that a Sleepless' hordelings mainly mated within a single horde, and probably with other hordes, possibly to create new Sleepless. This was based on the premise that while hordelings are flexible and can be bred to a significant degree to evolve, their reproductive methods were distinct to the species. Apparently, this is not the case. I suppose it makes sense; if you're able to evolve hordelings to the degree that they can mimic human body parts, it's reasonable to assume they can breed hordelings to be physiologically similar enough to foreign species to mate with them. This explains how hordelings can vary so much as the mating pool is virtually limitless.

  19. 3 hours ago, Elsecaller_17.5 said:

    I swear there's a refernence to Rock briefly hjearing the Rythms to.

    It's in his viewpoint chapter in OB. He mentions almost being able to hear some Rhythms. Unfortunately, I don't have my book on me so I can't quote directly.

  20. Just now, Ashbringer said:


     

    Remain does sound much more... regal. Although “preserve” comes to mind...

      Hide contents

    I also definitely thought that said “Renarin” and was very confused

     

    You know what, yeah. I'll just change my original post to be Remain. That does sound better.

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