Ripheus23
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"Another dimension of their ingenuity was in using complex functions to single out individual cardinals on the first level of infinity, such that the orders of complexity among those functions could be used to mirror V altogether. The 'slogan' was: the first level of aleph-numbers is sufficient for the intuition of 'Cantor's paradise,' which is a thematic image of V (the generic metafinitary description "infinity of infinities" is first satisfied over the first level of the alephs). By this means, the accessibility of some of these complex functions (their relative simplicity, all things considered, nevertheless) could be semiotically interposed with the 'power' of the higher infinities mapped to by this method, so that the Keyscape's mediation of different levels of power as such could be accomplished more easily."
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"In other words, an analogy would be formed between the notational permutations and augmentations occasioned by the concepts of the larger and larger types of cardinals overall, and the schematics for computing various finite natural numbers. The rate of a function could be correlated with the generic height of a level, then, and the endless cascade of these finite functions would 'add up to' a semiotic intuition of the totality of the generic intuition of V, i.e. the 'true word for' V. Then the alephs with finite indices would be the signatures of eternity, Godel coordinates of a particular simplicity and advergent stature no less..."
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"... and of course..."
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