• Announcements

    • Chaos

      Oathbringer Spoiler Policy   11/13/2017

      Oathbringer is out! Let's make our policy on spoilers clear! 1. You must preface topics with Oathbringer spoilers with the prefix [OB] in the front 2. You are only allowed to post spoilers and spoiler topics in the Oathbringer Spoiler Board, Cosmere Theories, and some select work-related forums. 3. For posts in the Oathbringer Spoiler Board you do not need to use spoiler tags inside a topic marked [OB]. For Cosmere Theories, you also do not need to put spoiler tags inside your topic if the topic has [OB] in the title. However, for Cosmere Theories, if you are adding Oathbringer stuff to an old theory without the [OB] tag, those must go in spoiler tags and you must make it obvious outside the spoiler tag that the spoiler is regarding Oathbringer content. 4. For select things that do require talking about OB spoilers, in Events, Coppermind, and Arcanum forums, those are allowed but keep OB spoilers in spoiler tags 5. Avoid and minimize spoilers in topic titles--even though those two boards will not appear in the Recent Topics ticker, topic titles still appear in Recent Activity and the forum home.  6. You aren't allowed to post Oathbringer spoilers in places other than listed, even with spoiler tags.  It will be nine months and then the Oathbringer board will be re-merged with the Stormlight board and you will not need to tag these spoilers. If you'd like to move something in the Stormlight Archive board to the Oathbringer board, to update it with new Oathbringer information, Report the post and we will happily move it to the Oathbringer spoiler board. Part-by-part Reactions Though the Oathbringer Spoiler Board will be very spoilery, very fast (maybe don't come there until you've read the book, as people do have copies that bookstores sold early), you'll have these five topics for reactions if you want to nerd out: Part 1 Reactions
      Part 2 Reactions
      Part 3 Reactions
      Part 4 Reactions
      Full Book Reactions For parts 1-4, they will not include the interludes immediately following it. On Discord All Oathbringer spoilers on Discord will be exclusively in the #oathbringer_spoilers channel for the nine month spoiler period and nowhere else.

Ookla the Feathered

Global Moderators
  • Content count

  • Joined

  • Last visited

  • Days Won


Ookla the Feathered last won the day on May 19 2014

Ookla the Feathered had the most liked content!

Community Reputation

2,740 Most Ancient

About Ookla the Feathered

  • Rank
    Brightlady Feather
  • Birthday 10/05/1993

Contact Methods

  • Website URL
  • Skype
    (send me a PM for it)

Profile Information

  • Gender
  • Location
    Probably Starbucks

Recent Profile Visitors

15,028 profile views
  1. Yeah, I was speaking less to Adolin's motivations and more to the function of it. Adolin lashed out because he felt backed into a corner and saw no other way out. Sadeas was literally gloating about how nothing could stop him and Adolin knew that they'd lose any chance to bring him down with all the chaos of the Everstorm and the move to Urithiru. If there had been a legal way to bring Sadeas to justice, I think Adolin probably wouldn't have ended up feeling backed up into that corner the way he did. So, roundabout the failure of justice is what caused Sadeas' death, even though it wasn't Adolin's direct motivations at the time. And even though fulfilling justice wasn't Adolin's motivation, the killing served that purpose regardless, intent or no.
  2. I'm just going to throw a quick response in here this time, not a line-by-line. I feel at this point I've pretty much talked out my position and I'll just end up repeating myself if I try to keep engaging. A girl can only have so many thoughts on one subject before it runs dry. That said, I'll fess up that I misremembered the Skybreakers WoB and misquoted it. I should have looked up the actual thing but I thought I remembered it well enough off the top of my head. Silly Feather should know that she doesn't know WoBs as well as canon quotes. Embarrassing. Still, Skybreakers aside, I think the Sadeas situation was one where justice was failed by the system and required an outside correction, and Nale can bite me if he disagrees. And the last point is about cliches. Yes, I dislike the Shalladin setup because it reads as very cliched to me, but this isn't just because I have a vendetta against the very concept of cliches and anything that remotely resembles a different story is bad. Rather, I dislike when plots feel contrived or formulaic and especially when they don't bring anything interesting. WoR didn't bring anything interesting to me to that plotline and it brought a whole lot of familiar and recycled points. The chasm scene in particular felt particularly egregious as a setup for sexual tension and bonding. Of course those two would be the two who fall into the chasm of course they would need to cuddle to stay warm and Kaladin gets all "aware of her in more ways of one." The follow up of them distractedly thinking of each other felt like it was just stacking up stock forbidden crush reactions all on top of each other. I mean, it's been a while since I listened to the WoR Splintercast but I'm pretty sure my thought process along the plotline was "huh, Shallan and Kaladin? Did anyone really picture those two getting together?" moving into "uh this bickering and 'oh she's/he's the worst' is definitely turning UST-y" to "oh no... really... they're stranded alone together... I've read this fanfic before..." to "yep, there it is, all that dark heartfelt bonding because of course we gotta have all the cuddling and bonding" to "wow, okay now we're daydreaming about each other and doing this? uuuuuuugh please let this plotline stop happening to me." I mean, we started off with mild confusion and it was only after it just. kept. going. with no interesting end in sight that I transitioned into annoyance and then true dislike towards the end. It was only later while I was thinking about why the storyline bothered me so much that I started realizing how much I felt they weren't good for each other and questioning that if that were the case and they had all these deepset issues, why Brandon would have chosen to shove them into the love interest lock step like he did. And so very strongly. So deeply unsubtle. Like getting whacked over the head with THIS IS SHALLAN AND KALADIN AND THEY ARE DOING A LOVE INTEREST ROMANCE PLOT NOW, THANK YOU. Meanwhile I'm sitting through all of these scenes like. Do Adolin and Shallan feel cliche to me? Not really. She gets excited about meeting him, they both get a little flustered when they meet for the first time, they go on a date and have a silly conversation, and then they kiss at the end because Shallan's been wanting to kiss him for a while. That WoR plotline doesn't read "cliche" to me. It just reads like two people who start dating and like each other. Adolin might be a prince, but his and Shallan's romance definitely isn't fairytale. If anything you could say it's a little too quiet and normal, whereas most romance plots have those big dramatic moments. But in real life, a lot of romances don't have the big dramatic moments. They're just two people who realize they really like each other. Perhaps that's the real contrast here. Kaladin and Shallan get the big romance plots. They fight the chasmfiend together, they huddle for warmth, they bare their souls to each other and have this intense bonding experience. I totally understand why people ship Shallan/Kaladin, 100%. If those scenes felt legitimate and that connection felt real and true to you, then sure of course you'd ship it. They were the ones who got the set up. Shallan and Adolin is just kind of Nice™. It's the cute date, the handsome prince who's a bit goofy rather than the wild and passionate longing for dark broody darkeyes she's not supposed to have. And in the end I think that's probably the point that Sanderson was trying to make, the twist he was hoping to execute. That sometimes the nice guy that you go on a few good dates with can be The One and sometimes the one that you go down the start of the wild and passionate forbidden love turns out to not be the right pick after all. The subversion makes the cliches work because when you get to the end, Brandon says, "In any other story, she would have picked the forbidden passionate one instead of the one she was 'supposed' to be with, but in this story, I'm going to show you why the opposite is going to happen and she ends up with Adolin instead." And in the end, I like that little twist a lot. I'm at the point where I'm not really trying to convince anybody. If you guys really think that there's gonna be way more on the love triangle in the books to come, well, the only thing to do is wait for another book and see what happens. I think it's pretty clearly resolved. But I've been wrong before, so maybe you guys will win out in the end.
  3. *cracks knuckles* First up @Vissy Admittedly, I've skimmed. In my defense, there's well over a thousand posts here. But from following, it seemed like general gist was Shalladin shippers trying to explain why they don't like Adolin, but starting to lean into it a little too far and drawing the ire of Adolin defenders. Threads like the one below seem to be an offshoot of some of this discussion, and it's a reading of Adolin that I think is exaggerated, both those who are arguing that he's morally depraved and those arguing that he's too perfect. All in all, I probably phrased the introduction on that section badly, it was more I wanted to outline the key points of how I interpret Adolin and let them stand as their own contrast. If someone disagrees with that interpretation, then that's a good contrast to have. If we agree, then that's cool. If I've misinterpreted some of the stances and we're actually all pretty much on the same page, double bonus points. Well, I don't just dislike Shallan and Kaladin for nothing. There's reasons why I didn't like those scenes at the time, because I was afraid they were leading to a conclusion that Shallan and Kaladin were meant to be together and that felt like a disservice to both of them from my point of view. I always want to be upfront about my biases, which is why I said that I've been against Shallan/Kaladin for a while, and then went on to offer reasons why. I don't think that's hypocritical and I didn't write the post to disparage Kaladin/Shallan shippers, but simply to offer my perspective on why I felt the ending was both satisfactory and conclusive. I love when people ship other things, but this just happens to be one that I personally don't like for myself. And I think by the end of Oathbringer, the text has ruled against it. If you want to keep writing Kaladin and Shallan AUs and shipping them and exploring all their potential as a couple, go for it. Death of the author. Forget canon. All that good stuff. As for the arranged marriages "cliche," while I do admit that it's now a solid trend in Brandon's works, that doesn't necessarily mean it's a cliche. It's a trope that Brandon's fond of that he might do well to try avoiding in the future, but a cliche is something systemic within literature as a whole. They're the stories that have been told a million times, a routine that an audience is going to lose interest in if it doesn't bring something new to the table because they've seen it all before and it's predictable. If Kaladin/Shallan wasn't a subversion, it'd have been that for me. But I believe it is a subversion, which makes it new and interesting and a cool new take on an old formula. Brandon falling into literary cliches is something that I would have found much more annoying than Brandon showing some of his own old habits. I think Chaos brought up some good points about Kaladin's depression, but that's one of the hearts of the issue. Kaladin and Shallan are both traumatized in very different ways and they're both dealing with their trauma in different ways. From where I stand, both of them need a partner who can be supportive and who naturally helps them with their issues. Relationships aren't a cure for trauma or mental illness, but a healthy relationship helps strengthen a person rather than causing added stress. I don't think Kaladin and Shallan are ready to be that for each other yet. The scene on the ship is extremely telling. Kaladin feels too much, he remembers his failures and he takes each of them on as his personal responsibility. After the scene in the palace, he almost shuts down and goes catatonic because he can't reconcile seeing two groups of his friends slaughter each other and his closest friend betray him and murder the man that Kaladin was supposed to protect. Kaladin doesn't function well when faced with those things and though he's gotten good at forcing himself through it, it's an immense source of pain for him. He's also got depression and seasonal affective disorder, neither of which Shallan seems ready to help with. Mostly because she's got her own issues, which are on full display through Oathbringer and Words of Radiance so I won't go into the detail there. However, the last thing she needs is someone like Kaladin coming along and telling her how good it is that she's able to repress all of that and that she should keep smiling and laughing and not facing it, just because that's what he wishes he was able to do. We've also got the classism, Shallan's lack of empathy for Kaladin's suffering, Kaladin's pain and past betrayals making him defensively hateful towards lighteyes. Their conversations in the chasms reveal that rather than actually listening to what Kaladin is telling her about the systematic abuse within the nahn and dahn systems, she talks circles around him wittily until Kaladin gets frustrated with her and just gives up. He'll snipe back at her, but at that point he's mad that she's not listening and just keeps taking pot shots at him. Not a great way to work through all of that. Adolin isn't broken the way the other two are, and I think that's why he's good for both of them. He keeps Kaladin talking when Kaladin starts to succumb to despair, and he helps keep Shallan grounded when she's losing track of herself. Not to say that Adolin is perfect and doesn't have his own issues that he needs help with, but overall he's more stable than Kaladin is right now. Nothing wrong with that, but in my opinion, it makes him a better fit. And, as for the cliche set up of their relationship, I can run it through if you like. 1. Premise: main dude character and main girl character plus compulsive heterosexuality means they must be the two who get together, right? 2. Hilarious meet-cute gone wrong where they both get off on the wrong foot. She lies to him and humiliates him and it's good fun but, ahaha, it's going to come back to bite her, how quaint! 3. Bickering when they meet up again, which obviously means flirting and sexual tension. Look how much they hate each other... but doesn't that mean they're meant to be?? Opposites attract, right? And he's that forbidden romance option just when she thought she'd found a dream guy. 4. Trapped together in a bad situation and now they are -gasp- forced to learn to work together despite how much they loathe each other. Except... maybe... they're more alike than they thought... maybe there is a... connection that they've both been denying. 5. Bonding through danger and cuddling to keep warm and confessing their deepest darkest secrets to one another in the cold, wet depths of the storm. 6. Return to live as normal, and though they try to pretend that nothing happened, they just can't stop thinking of each other and how attracted they are, of course at the most dramatically amusing times. I mean... I'm sorry but that's just so by the book. And not only is it mind-numbingly rote, there was also all those unhealthy trauma issues that seemed to be getting painted over by this beige romcom nightmare. I swear I can list a dozen romcoms where one or multiple of those plot points happen. I just watched a Crazy Ex-Girlfriend episode in which the main character got trapped in an elevator with her sexy boss and ended up kissing him, then feeling horribly guilty because she was already engaged to the man of her dreams that she'd chased after for years. The whole meeting could be the start of some plucky chick flick where the snappy and sarcastic intern wittily gets the upperhand on some stranger who gets on her bad side on the subway only to show up to her first day of work and realize he's actually her boss! How embarrassing and funny, right? Sure. Except we've seen it a million times. And if you can't spin it, it's just bad writing. I got worried that there was no spin, but there was. They weren't meant to be together, they never were, and those scenes only pretended to paint in beige, when there was really secret ultraviolet designs beneath all along that came to light when we got to the end. Alright, moving on. Ah, she had though. Shallan gets all aflutter over Kaladin after he rescues her in the chasms, just as he gets all twitterpated over her. It's especially egregious because they do it right after each other too. Ugh, I'm sorry but those two quotes, one chapter after another? After slogging through all of the contrived set up and being sick of this plot, I was rolling my eyes at this point. Shallan even does the thing where she starts distractedly daydreaming about how sexy Kaladin is while she's trying to convince herself that she doesn't think he's sexy, all the while missing what Adolin said. Definitely never seen a character do that before ever. My one solace was that Kaladin and Adolin didn't hate each other, but by the end of WoR this whole love triangle nonsense was just budding and I was terribly worried that there was going to be a stupid rivalry over Shallan between the two of them. Again, I shouldn't doubt Brandon, and he dodged that pot hole. He couldn't break up my boys like that. Shallan's feelings for Kaladin are "whoa that's hot" which... relatable. She shoved that off into Veil because it was inconvenient and she didn't want to deal with it, but at the end of the day, Shallan feels a physical attraction to Kaladin, but not much more. I particularly liked the comment about appreciating a nice piece of art without wanting to pull it off the hook and get intimate with it. Veil certainly didn't seem to be interested in anything resembling commitment with Kaladin, and neither did Shallan. Shallan acknowledges that her feelings toward Kaladin weren't actually romantic when she's reassuring Adolin at the end. And Kaladin admits that he too, was not in love with her, though he was confused about that for a while. That seems to me pretty well wrapped up in a nice plot bow. The one that Adolin claims is the "real" her is the real her. Shallan might believe that the only version of herself that's real is the broken waif who can't even cry anymore, but this too, is a lie that she tells herself. Default Shallan is Shallan. She's how she imagines herself if she hadn't been through trauma, if she hadn't been broken. AKA, that version is what Shallan needs to be working toward to be healthy. She needs to work to become okay with herself to the point where she can be the optimistic, bubbly scholar with a ready quip and a knack for espionage without having to deny the things that she endured. She can accept what happened to her without letting it define and overwhelm her. Veil and Radiant do carry aspects of Shallan but they're also very much an escape. They're who Shallan becomes when she doesn't want to deal with being herself. She isn't actually Veil and she isn't actually Radiant. In a healthy state, I think we'll see Shallan able to shift to those mindsets when she needs to be able to look at a situation in a different way, but not fleeing into them as a mode of escape. Adolin's able to focus on the Shallan that's Shallan, and that's the one he wants to encourage and bring out. I don't think that means he's suppressing other parts of her personality. But he doesn't think it's good for them to control her. (Which, he's right, it's not good.) Okay, on to @Dreamstorm I'll admit, I usually find subversions more interesting than playing a trope straight pretty much 100% of the time. I think I maybe implied something I didn't mean to with the phrase "long-con." I mostly meant it in terms of a long scope, but I think you're right to bring up the "con" aspect of that kind of thing, in that there were readers who believed the setup was legitimate and felt robbed of a payoff they felt was promised and not delivered upon. That said, I'm no stranger to ship heartbreak. Mine was less a con and more of me not having all the facts, but way back when I was invested in the Shallan/Renarin ship before WoR came out. I thought I had a handle on who they both were as people and I was so certain that they could be a good pair for each other. I'd never felt as strongly for a ship before those two. One problem: Shallan's trauma. It's not on display in the first book. Though she talks about her father being bad and we see Nan Balat, there's nothing that really hints at the deeper repression and empathy problems that Shallan deals with in Words of Radiance. Probably because it wasn't necessary to show all of that for Shallan's plotline in WoK and WoK had enough going on with Shallan without introducing all of that. She hides it well and is good at pretending! That's the whole point. But regardless, I was blindsided and devastated that I could have misinterpreted her so badly. When she and Renarin had their first real interaction at the end of WoR I was psyched up for a cute scene of bonding and teamwork and instead I got whatever hot mess that was. It sucked and it hurt and I was really messed up about it for probably a good few months until some friends helped me work through my emotions regarding it. It still aches a little bit, even though I've moved on from that ship now. There'll always be a little bit of nostalgia in it for me, a remembrance of all the good, fond, warm memories I had with it. Okay so I'm actually going to pull a John Green quote about this because he is an author who's been accused of writing characters and plots that are codependent and weak and romanticizing those kinds of relationships, to which he says: I think it's a good point. Yes, we want "strong female characters" but I don't think that means characters who never get support. Adolin helps her in the end, but I don't think that undermines who Shallan is or her own narrative arc. She has many aspects of her life that don't revolve around Adolin or her love life or any part of that. I don't have an issue with her getting support from her love interest at a low point in her life. When you're worn out and don't have energy left, that's when you need someone to help get you on your feet again. You're right that we're on different sides of the debate, but I explained some of why I find them incompatible above. I think that though they did have a connection, it wasn't something that was going to be sustainable through the difficulty in spanning the gap in their unique problems. Though they bond, I have always preferred them as supportive, snarky friends, rather than getting tied up in the tangles of what a romance would be between them. And I'm pleased that they seem to be heading in this direction. And I've specifically saved this point for last, because you're right, it's something that hasn't been talked about enough. It's also important! Adolin's not working through trauma in the way that Shallan and Kaladin are, but a good relationship is reciprocal, which means we need Shallan to be contributing to Adolin. To me, we see this in the way that Shallan bolsters Adolin's insecurities. He confesses the issue that he's been struggling with, the murder, to her, and she's supportive and helps him come to terms with it. We also see Adolin trying to find his place in the new world and struggling with his relative unimportance within it. He was the top of the top all his life, the expert duelist, the one who got all the girls, the Highprince's son, and now he's surrounded by people with superpowers who are fighting the apocalypse and he feels... inadequate. He's sure that Shallan will pick Kaladin because Kaladin has magic flight and does all those dang dramatic hero moments, but Shallan doesn't want superpowers and the dramatic hero moments. She wants Adolin, the kind, goofy, supportive guy that brings her food when he hears she's not feeling well. What Adolin needed was to hear someone say "Yes, you. You're the one I want. You don't need all the bells and whistles. You're enough." And I think Shallan's also good for him because even before everyone starts dealing with the apocalypse, she's not dazzled. She thinks Adolin is very handsome, but she's not intimidated by his status or the fact that he's Alethkar's most eligible bachelor. She cracks jokes with him and treats him like a person. Despite having many "friends," Adolin didn't seem to be great at making really true connections with people. His girlfriends all leave because he doesn't support the relationships well, his supposed best friend says he doesn't want to hang out anymore because the Kholins are "not fashionable" at the moment, and then enters a rigged duel to the potential death against him. Adolin needs someone that he can just cut loose with and be a person. He and Renarin have a great relationship, but he also needs people who aren't his brother. Shallan is good for him because she cracks poop jokes and teases him. She treads the line of not letting him think too much of himself when he's all special and important and also helping lift his spirits when he's worried that he's not enough. Her simple, stark affection for him is really something that keeps him grounded and helps him keep on the right track. And I'm gonna cut myself off there. If someone responded with a point that I missed, I'm sorry, I was trying to hit the big ones. Goodness this a thread and a half, isn't it? I will say over the course of these conversations, I've gone from "yeah, it's cute I guess" on Shallan/Adolin to maybe actually shipping it for real. So thanks for that, guys? I'm starting to really feel the heat here, finally.
  4. Boy there's a lot going on in this thread, huh? I've been debating whether or not it's a good idea to step into the boiling waters here, but what the heck, I'll throw my hat in the ring. I'm just going to try to broad strokes some things because I don't want to end up falling into writing a 2,000 word response. I have better things to do with my Sunday afternoon. If I oversimplify your points, please understand that it's not an attack or misrepresentation, just me trying to look at the big picture here. That said, I feel like a lot of the reason that this thread has shifted here is that there's a majority of Kaladin/Shallan shippers who are trying to elucidate why they feel Adolin is the wrong pick for Shallan, but from my perspective, this discussion ended up shifting in an echo chamber sort of way to a characterization of Adolin that I simply don't find tenable. Adolin as a sadist or a sociopath? I'm almost amused that a thread that could accuse him of being too much of a picture-perfect Prince Charming is also saying that he's a barely restrained rage monster who loves killing and seeing his victims suffer. Adolin's an incredibly moral character, from where I stand. He's deeply empathetic and naturally kind. He has a strong sense of right and wrong, but it doesn't always line up with his father's sense of right and wrong, which causes tension between them. His killing of Sadeas was not the first act of a potential serial killer or anything so macabre, it was a frustrated sense of vigilante justice. Sadeas was unquestionably a monster who tried, on multiple occasions, to not only kill Dalinar and Adolin, but also successfully murdered over half of the Kholin soldiers, innocent men who had absolutely nothing to do with the feud. And the Alethi justice system did nothing. Sadeas was untouchable, save for some very weird loopholes in a dueling match with a boon. Sadeas gloated in this and made it clear to Adolin that he wasn't ever going to stop, so... Adolin stopped him. This isn't a misplaced anger or a sign of moral deficiency, this is someone coming face-to-face with their attempted murdered who smiles at them and says "I'm going to try to murder you and everyone you love again and there's nothing you can do to stop me." So Adolin stops him. I don't think it was the wisest course of action, but I think the fallout in Oathbringer (or lack thereof) shows that the characters figured out what Adolin did in that moment: Sadeas needed to be dealt with and in this case, there wasn't an easy or clean way to do it. It's unfortunate that it came to knives in the dark, but well... it kind of needed to. It's not something I would have realized going into Oathbringer, but in hindsight, I don't think Sadeas' murder could have been the big crisis of conscience that some were expecting, because even though Adolin might have had the "am I a cold-blooded killer?" question kicking around, at some point someone would have said "okay yeah bud, you might have killed him, but he didn't really leave you any other choice." Perhaps that's the Skybreaker in me who feels that the legal system failed in Sadeas' case and Adolin killing him was a restoration of justice in this case, but that's just me. Brandon did say that Skybreakers would not find Adolin's actions objectionable, so that makes sense. That said, I don't necessarily think it means that this plot is entirely wrapped up just yet. The focus on Sadeas might be over, but I think we'll see more out of Adolin and struggling with this in the future. Perhaps it'll be a barrier that he has to work through in order to reawaken Maya, that she would be hesitant to respond to someone who did such a thing, as she starts coming back to life. Perhaps Adolin will have another moment of snapping and will attack or kill someone else, perhaps this time someone who isn't as much of an irredeemable monster as Sadeas was and he'll have to confront that. There's still possibilities. I don't think this one's fully resolved. However, what I do think is fully resolved is the love triangle, to drag this thread back on track. I'll admit, I was never a Kaladin/Shallan shipper and I ground my teeth through every one of their scenes in WoR and OB until the end. A lot of that had to do with the fact that I felt those scenes were set up in a very cliche way, and that we were exploring cliche scenes that seemed to paste a straightforward boy-meets-girl progression over a slew of dangerously unhealthy traumatic pasts and incompatibilities. I remember thinking in Words of Radiance that the only way I'd enjoy the Kaladin and Shallan scenes were if they were leading to a subversion. Which, it was, so in hindsight, I like those scenes a lot. In short, I should have trusted Brandon. I was afraid that he was ignoring the deeper issues between Kaladin and Shallan by fitting them into these puzzle-piece perfect relationship scenes. I feared that we were falling into a cookie-cutter plan without considering the true implications of it, and if that was what was happening, I was wholeheartedly against it. Thankfully, Brandon was on the same wavelength as me. Kaladin and Shallan were a subversion and though I was worried that they weren't going in that direction at first, now that I can see that they did, I think it turned out very well. Perhaps Words of Radiance was a bit on-the-nose with the Kaladin and Shallan set up, but in hindsight, the point of those scenes was to take two incompatible characters and run them through the steps of the romantic relationships, so that later, we could see why that setup was doomed to fail. The infamous "storms she smiled anyway" scene reads on the surface as a beautiful character moment (which drove me nuts because it was super unhealthy, right?). And yet, when we revisit that philosophy of Kaladin idolizing Shallan's dangerous coping mechanisms on the ship in Oathbringer, we see that as they tread that path once more, the conversation collapses as Shallan hears Kaladin tell her that he wishes he had what she considers to be her greatest flaw, and we see that Kaladin doesn't understand the true depths of how this has damaged her and how insidious her repression is. He buys the lie, he sees the smiles and the laughter and thinks its genuine. And of course he would. Kaladin wishes he could smile and laugh and thinks anything that allows Shallan to do that is a good thing, when both Shallan and the audience know it is exactly the opposite. Same with Shallan and Kaladin's "meet cute," the Boots scene, which again, on surface level seems like a hilarious comedy of errors sort of scene. Shallan's doing an outrageous accent, Kaladin's grumbly at having to deal with a stupid lighteyes, it means that they both start off on the wrong foot and will now how a hilarious reason to snipe at each other and have to bond through later in the chasms. Which, again, feels a bit RomCom 101, but also ignores the deeper meaning of a lighteyes playing games with a darkeyes she just met, simply because her rank allows her to do so. Taking the boots of a soldier while he's on a shift, especially on the contrived premise that she's foreign royalty to got offended by misunderstanding him, is a cruel action, but Shallan doesn't consider the implications for Kaladin as she's doing this. She's just having fun playing games with him and thinks that she wants shoes. If we were simply supposed to take the surface meet cute at face value and laugh at how humorous it is, then that's an issue, as we ignore the underlying truths and characterization of both Kaladin and Shallan and what this reveals about both of them as people. And yet, it's not just a surface meet cute. It is meant to be revelatory of their issues and show the problems between them, under the disguise of a normal, run-of-the-mill flirty ship scene. In hindsight, Brandon's set up of Kaladin and Shallan and their relationship arc, ending finally in them both accepting that they aren't right for each other is masterful, especially for an author like Brandon, whose strengths have never fallen in writing romances. That he wrote a great long-con amicably failed romance of two characters who initially seemed like they could work well but eventually revealed that such was not the case was really well done. I even like, again in hindsight, the way he moved Shallan and Kaladin through those almost stock scenes of setting up a potential relationship, but used them to subtly reveal their flaws rather than actually bringing them together. Was there a lot of "evidence" for Shallan and Kaladin as a relationship? Yes, but all of it was two-fold, in that as it openly seemed to be setting them up together, it was actually revealing why they would never end up together all along. Masterfully clever, if you ask me. Now, I haven't really gone into a depth of why I think Shallan and Adolin are good together, but I can hit the high points. Adolin is a great person, and he is especially a great match for Shallan. He is deeply empathetic and is supportive of her. We've seen with Renarin that Adolin doesn't need to fully understand what is happening to be supportive. He may not always know what's going on with Renarin or what Renarin's thinking, but he's still powerfully supportive and positive. I think we'll see this in his relationship with Shallan as well. Does Adolin know, totally, what's happening with Shallan's personas? Probably not. He might not ever fully understand, but as with his brother, he's supportive of her and is ready to help in whatever way he can. Sidenote that this theme of true understanding not being necessary for true love is one that Brandon has touched on before, but I think we'll see it in a greater depth. I'll avoid spoilers, but Vin falls into a similar crux of worrying that the person she loves doesn't understand her and therefore thinks that another person who does understand her better is a better match, yet in the end, that's not the case. I think this is a really mature view of relationships, because, deep down, no one will ever truly 100% understand anyone else, even if you're a perfect match. There will always be aspects of even the healthiest romantic couples in that they don't have a perfect understanding of one another, hence why relationships take work and need open communication to be successful, because this is a difficulty that all people must confront, the deep and incomprehensible uniqueness of all. I think Vin and Elend are going to be a good parallel for Shallan and Adolin. They might be endgame, but even after Vin and Elend entered a true committed relationship, they still had personal difficulties that they had to work through. It didn't mean that they were wrong for one another, but they still had those conflicts as plot points. I think the "love triangle" side of this relationship is done for. Kaladin accepts that he never really loved Shallan. Shallan chooses Adolin and marries him. Everyone is satisfied on that front and the entanglement of that subplot is resolved and concluded. That doesn't mean that Shallan's personal identity issues are solved (far from it) or that Shallan and Adolin won't have relationship conflicts that they'll need to work through as a married couple. Both of those things are almost certainly going to happen. But I don't think those relationship conflicts are going to come from Kaladin. That chapter of this narrative is finished and we're moving on to new things. I'm excited to see what those things are as we move into later books. TL;DR: Adolin's a good person whose killing of Sadeas was justified and therefore could not have sustained a deep crisis of moral character on its own, but may open the path to a further exploration of that side in the future with a different event. Shallan and Kaladin's relationship followed established plotlines for a potential romance, but was written to subvert the end game relationship, and successfully accomplished this goal, giving an interesting and well-crafted conclusion to their romantic storyline. Shallan and Adolin's relationship is endgame, but this doesn't mean that they are no longer going to face relationship conflict that they'll need to work through. It also does not mean that Shallan's own personal conflicts of identity are solved. And, with that, I look back upon myself and, with the folly of man, that I thought this was somehow going to be less than two thousand words. Ha, Feather, thou knowest not thyself. Our grand total for this post is, of course, 2,208. Great job, me. You played yourself.
  5. A new major cosmere book means that my CAH decks are in need of an update! So I present: CARDS AGAINST OATHBRINGER This expansion of 21 black cards and 57 white cards serves as an update to the previous two Cards Against the Cosmere decks (which can be found here and here) and has been stress tested for hilarity and quality to bring you only the very best. Let me know if you've got a favorite!
  6. Barring corruption weirdness interfering, Renarin is most likely past his third oath, because he has a spren blade. Note that when comparing to Lift, what we saw in her epigraph chapter was her very first major use of Regrowth and she was just at her second Ideal. By the time Renarin gets squished, he's been practicing with Regrowth extensively and had likely had far more experience in using it. It makes sense that his would work better than Lift's right now, not because he's innately more powerful, but because he's practiced.
  7. I assume it's a use of Progression, in that his ability to heal allows him to heal himself even faster than other Radiants are able to.
  8. Alright I kind of dipped my toes in this conversation before but didn't really try to answer it before. I'll put the tl;dr version at the top and it's this: I think the books indicate that Jasnah is clearly uninterested in romantic/sexual relationships with men for certain, and possibly all people. Beyond that, even if Jasnah was attracted to men (which I'm pretty sure she's not), she and Kaladin wouldn't be a good pair, regardless. Jasnah's lack of interest in marriage/romance So, Jasnah overall shows no interest towards relationships, but there's one in particular that stands out as characterizing. The first chapter of Words of Radiance has a conversation in which Jasnah reveals that she has set up a causal betrothal for Shallan and Adolin. It is within this that I draw most of my ideas of Jasnah's views on relationships from. You should really just read the whole scene to get the full picture. Jasnah has a great anxiety about this plan, actually, and the narration made this very clear. Jasnah "takes a deep breath" and Shallan thinks she's "reluctant to explain." Shallan notes the "uncharacteristic anxiety" in Jasnah as she brings this up. When Shallan seems excited about the prospect, Jasnah "visibly relaxes" but also seems very confused that Shallan isn't upset with her. And by the end of the conversation, Jasnah sort of shakes her head and moves on, still not entirely sure what just happened. I think what we see of this plan is that Jasnah assumes that Shallan would have reacted in a similar manner as Jasnah would have. Jasnah specifically says "I had wondered, however, if you'd be offended." Jasnah asks because the idea of being set up in an arranged marriage would have offended her. Jasnah believed that the causal with Adolin was an unfortunate idea that Shallan was going to have to grit her teeth and suffer through because it the only way to secure an alliance to protect Shallan's family. I imagine that Jasnah had all manner of arguments ready to try to help Shallan see that accepting was the best way even though, obviously, a marriage is not something anyone could enjoy! Jasnah knows that being forced to deign to marry someone would be an offensive situation to her, especially if she hadn't been consulted beforehand. When Shallan doesn't react the same way, instead seeming excited by the opportunity and prospect, Jasnah is baffled. Jasnah discusses "the restriction of freedom implicit in a marriage" and feels that Shallan would be upset about being locked into a betrothal after she was "free of her father." Jasnah seems to feel as though marriage is something that men try to force women into, and it's something Jasnah wants no part of. Jasnah brushes off Amaram in her prologue, with her narration indicating that she thinks the match doesn't work. Though Jasnah's spat with Amaram in Oathbringer shows that her distaste for Amaram personally is not insignificant, but I think Jasnah has a distaste for the idea of marriage as well. Which brings us to one of the most telling quotes, bolding mine: I believe this is the sort of dramatic irony of Shallan saying something that Jasnah actually does feel, that marriage is like being sold into slavery. And Jasnah just kind of has to laugh it off and say "oh, ha, right... that's not something that everything feels, huh?" I think Jasnah's disinterest and distaste for marriage stem from both a disinterest in being "tied down" into societal roles that she doesn't agree with and has no interest in. I believe this stems from an overall disinterest in romance and sexuality in general. The quote above seems to indicate that even as the idea of marriage is something Jasnah dislikes, men in particular are even worse of an idea to her. Marriage? Bad. Marriage to a man? Worse. And at the heart of it, I think there's just an overall lack of romantic But, perhaps I'm misinterpreting or overinterpreting the passage to mean more than it should. Maybe Jasnah would show a romantic interest in a man someday. I still don't think it would be Kaladin. Let's go into that. Jasnah's incompatibility with Kaladin Kaladin and Jasnah's personalities don't mesh well, in my opinion. They are opposites in many ways, and not in an "opposites" attract kind of way. Their argument in Oathbringer indicates this to me, though I believe there is also sufficient evidence of their lack of compatibility through what we see of them individually as well. Jasnah is a woman of contradictions, and even has a chapter named after it. Jasnah is a woman of logic, but also deep emotion. She is able to make difficult decisions, not because she doesn't care, but rather because she cares deeply, and knows exactly what she'll do to protect the things she cares about. Her sense of personal morality isn't based on any outside influence, but is the result of her own personal conscience alone and is accountable to only herself. She cares about her family, and justifies the use of spies and assassins to protect them, even from within. She justifies killing criminals with Soulcasting in Kharbranth after tempting them to attack her, even though she knows this will present a moral and philosophical conundrum for Shallan. Upon realizing some of the impetus for Desolations, she immediately decides that the best course of action is to track down the Heralds and kill them (though she is persuaded away from this eventually). Jasnah answers to her own mind alone and does not hesitate when she has decided on a plan. She sees what needs to be done, she does it. This can make her seem cold and callous to outside observers, but it's simply an expression of efficiency and dedication to a task. Jasnah doesn't hedge, and she doesn't waste time questioning her decisions after she's made them. This gets her into trouble occasionally, as it can make her inflexible, but it is nevertheless effective in accomplishing things. Kaladin is an entirely different story. Kaladin constantly struggles with internal conflict and questioning his own personal morality. He is pulled between desires like revenge or his hatred for lighteyes and his conscience trying to tell him what the right thing to do is. His decisions in WoK about helping Bridge 4 and, later, saving Dalinar are examples of this kind of tortured conflict, in which Kaladin asks himself throughout the lead-up if this is what he should really be doing. In some cases he's still questioning himself as he's doing things. The longest form of this is the plot to assassinate Elhokar, in which Kaladin initially thinks he's making the hard choice and doing what must be done, before later going back and deciding to save Elhokar instead. Throughout, Kaladin tries to convince himself he knows what's right, but he never really feels sure. While Jasnah is assured of her actions and morality, Kaladin desperately desires something that can give him a sense of absolute right and wrong. He's tired of being confused about what he should do and wishes to find something that would let him act without guilt. However, his personal standards for success and right are extremely high; he feels he must save everyone, he has to do the perfect thing and has difficulty taking actions that would hurt someone, even for the greater good. This comes to a head in Oathbringer, when Kaladin is unable to fully see the Singers as enemies because of his time among them. He sees their point of view, thinks that they're just trying to live, and cannot convince himself that they should die. It paralyzes him in Part 3, but it also brings him into direct conflict with Jasnah in Part 2, when Jasnah is ready to make the hard decision, but Kaladin can't live with the consequences of that action. Later in the book, Kaladin feels that his fourth oath has something to do with not protecting Dalinar or letting him die, and Kaladin's unable to bring himself to say it. These extreme differences in morality are always going to make it difficult for Kaladin and Jasnah to see eye to eye. They may both be good people, but they come at it in very different ways. Much of Jasnah's thinking is abhorrent to Kaladin, while she sees his point of view as naive and simplistic. Those aren't foundations upon which a budding romance blossoms. Those are the kinds of different points of view that make enemies, or strained allies in the best cases. I think Jasnah and Kaladin will eventually learn to see the value in each other's points of view, but I doubt either of them will ever like it. Even aside from matters of morality, Kaladin and Jasnah have little in common with one another. Kaladin is highly social, at his most comfortable when he's leading groups of men and working with them as a cohesive team. From his old spearman squad, to the groups of slaves he bonded with, to Bridge 4, Kaladin has an easy, instant connection with people and leads them well. Jasnah, on the other hand, is a solitary creature. Keeping in contact with her colleagues over spanreed is enough social interaction for her and though she is polite and well mannered, she's more at ease on her own studying at a desk than in a crowd of people. She has difficulty working with even a single ward and admits to Shallan that she feels she isn't good at it. Kaladin has many difficulties with lighteyes, and even if he is starting to get over some of his hangups, he still has a great distrust and dislike for them. Jasnah is about as lighteyed as one can get, especially by the end of Oathbringer, where she has been named queen. Jasnah and Kaladin share no common interests. She is a consummate academic and renowned historian. He is a soldier and bodyguard, with surgeon's training as well. On a very basic level, there's an age difference between them, with Kaladin at 20 and Jasnah at 35. Conclusion I'll cut myself off there, if only because this silly treatise is already far, far too long, but that's a rundown of the way that I see things standing right now. I read a lot of evidence for Jasnah being both aromantic and asexual and I think she and Kaladin have an extreme set of distances that make them unfit as a romantic couple. I have yet to see a reasoning behind the Jasnadin ship that seemed compelling or convincing to me, and if we're working off the "compulsive heterosexual romance" card, I'll admit that idea got tossed around for Shalladin and was one of the reasons I hated that ship as well. Brandon's already had several romances in Stormlight so far and I believe there's probably another one coming down the line at some point for Kaladin, given how often Syl talks about how he needs someone, and the flashbacks with Tarah showing that Kaladin very much is not aromantic. But for me, Jasnah's not really an option to fill that role. If anyone actually read this whole thing, you deserve a cookie. I always have far too many thoughts. Now... someone stop me from going over to the Adolin-Shallan-Kaladin thread and doing something similar...
  9. Oh, as I'm listening through this, I did ask Brandon about the pronunciation of "Sja-anat" and we... were all wrong! Brandon uses "zha-anat" as in that "zh" is the sort of French j, in "je." It's the sound found in English in the middle of the word "pleasure." So, take that as you will!
  10. Both "My Glory and My Shame" and "You cannot have my pain" are standard personalizations for Oathbringer, and Brandon has been using them for people who don't ask for a specific personalization aside from their name or for those who ask for a favorite quote from Brandon, since both are Oathbringer quotes. They are not Oaths though. I'm afraid Brandon might not have heard your request, most likely. Sometimes if the question isn't actually on the sticky note, he'll just sign with a default personalization like this. As stated above "My Glory and My Shame" is the subtitle for the in-world book of Oathbringer, while "You cannot have my pain" is an important line in the climax, but not an Oath.
  11. I'll say that my initial thought upon finishing Oathbringer was that Renarin was not Voidbinding, but things like the page pulled me back in the other direction. I agree with all of your points @PhineasGage, but in that case, why link him to the Voidbinding page at all? Which makes me less certain about what all is happening. At this point, I feel like we just need more information before we can be reasonably certain of anything.
  12. In case anyone needs proof that my theory was free from Argent's page influence: Argent actually, as he said, told me about The Page™ because of the theory, not the other way around. This is one of the reasons that I think Renarin probably is a voidbinder, even though without something extra-textual like the page I probably would have said he wasn't.
  13. I think the game that Mraize is playing with Ash is the same one that he's playing with Shallan. It's a very good method of recruitment and it's effective even if the person being recruited knows what he's doing. It's all about knowledge and training recruits to perform for it. I mean, it's practically Pavlovian, like training a dog. The "treat" is information the target wants and you slowly ask them to do harder and harder things to keep getting more info. Shallan started with getting a freebie: getting her brothers rescued. Next, Mraize asked her to do something that she was already doing anyway (and wouldn't be willing to stop just to thwart him), driving the Unmade out of Urithiru. For this, she got info about Helaran. If I've guessed correct, the tasks will ramp up from there, from things that Shallan wouldn't have an issue doing (except that it would help the Ghostbloods) but also wouldn't normally do without prompting. And then if she does those, start giving her tasks she might be opposed to doing under normal circumstances and see if she'll complete those. All throughout, Mraize keeps promising extremely good information, and (the important part) delivering on this. So when he tells her he can get her info on something new that she really wants to hear, she'll know it's legit... and all she has to do is whatever he says. It all starts with that freebie though. Like a drug dealer giving out a sample to get you hoooked, Mraize gives people one thing they truly desire so that they know he can deliver on his promises in the future. Shallan's brothers. Ash's information about Taln. I think we'll see Mraize reach out to Ash again and this time ask something of her. Mraize having not only a Radiant under his control with Shallan, but also managing to get a Herald at his beck and call? Terrifying. That's my guess for Mraize's plans at least. What makes him really scary is that the Ghostbloods apparently actually have the resources and intel to pull off these incredible bribes. If he knows half as much about Ash as he knows about Shallan... well. We're in for a time.
  14. Weeeelll I'm like halfway through it but then I got distracted. So I probably would not Splintercast that one just because it'd be weird.