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  1. 40 points
    Yesterday, at a signing at JordanCon, Brandon read out something that was very old, which he said we had been waiting for "for a long time". He thought it was about eight or nine years old. It is crazy, and very exciting. It's a piece called The Traveler which is quite cosmere-aware, which Brandon thought he could now reveal. We recommend you just read it with no further introduction, but if you want some analysis, scroll on down. Get hyped. All of this is transcribed on Arcanum, and you can listen to the audio from the man himself at the links below. Here is Brandon's introduction to this piece: And so, here it is. Note, again, this is a very early draft from a long time ago. The Traveler A focused southern breeze made the trees sound like they were chattering. Tiny crisp leaves spreading the news of the Traveler’s return. Pure white leaves, clustered along branches like skeletal limbs. Even the bark clinging to the trees was white. In some lands, white meant purity; in others, it meant death. Here, it didn’t mean a thing. It was simply, normal. The Traveler sat on the mossy white ground, back to the tree, legs crossed idly as he picked at a pomegranate, eating the seeds one by one then spitting out the pits. They fell on the stark moss-covered ground, leaving red juice like blood running across a sterile white floor. To say he wore rags would have be an insult to many a goodwife who kept her washing rags in much better shape than the Traveler's costume. Ragged brown and black canvas, tattered cloak, and scruffy beard, rubbed dark with a black material that might have been soot — or ash. The leaves suddenly fluttered excitedly behind him, and a strange puff of wind blew across the trunks. A moment later, a figure in simple gray robes walked into the clearing. Clean-shaven and silver-haired, he had the look of an aged scribe, not haughty, but tired. “So, you’re back,” the elderly visitor said. “Did I leave? I am the lingering odor you can never quite locate, my friend. Just when you think I've faded you open your cupboard and find, in an overpowering reveal, that I've merely been… ripening.” “Hmph, that’s a new look for you.” The Traveler looked down at his ragged clothing. “I’ve been learning to blend in. Hard to do that in one of my normal costumes.” “I doubt you’ll ever be the type to blend in.” “You’d be surprised!” “Is that soot in your hair?” “Maybe.” The elderly man sighed, walking across the short clearing and settling himself down on a large protruding tree root. “You can’t keep doing this.” The Traveler continued to eat his seeds, though he had started to chew them up rather than spitting out the pits. “You will just make things worse.” “Ati and Leras are dead,” the Traveler said, picking a piece of seed out from between his teeth. The elderly visitor said nothing, and the Traveler eyed him, leaning in closely, studying the man's eyes. The pupils were rimmed with a silver far too metallic to be natural, at least for a human. “You sly old lizard!” the Traveler said, pointing. “You already knew! You were watching! And here you were chastising me.” “I did NOT interfere,” the elderly man said. ”You meddle in things we promised to leave alone. Things that we—” Traveler held up a finger, interrupting him, then slowly he pointed at the older man. ”I. Made. No. Promise.” “You made your choice. Why now seek for things you so eagerly denied? My friend, it’s the dangerous desire, the lust for power best untouched, that created the situation in the first place.” The Traveler did not reply. The two sat for a time, listening to the winds through the garrulous trees. “Did you… find what you were seeking?” the elder man finally asked. The Traveler shrugged, picking at another seed and nibbling on it. “You will not find a way to restore what you have lost, old friend,” the aged man said softly. ”It is impossible.” “You don’t know that. The old rules no longer hold.” The Traveler turned the pomegranate over in his fingers. ”Besides, I’ve heard of a place… It doesn’t matter. I don’t care. This isn’t about the dead… or it’s not JUST about the dead, at least.” He dropped the fruit to the ground, wiping his fingers on his riding coat. “So it’s a simple vendetta, then,” the aged man said, sighing. “How many years have you lived, and you still can’t learn the wisdom of just letting go?” “A simple vendetta?” the Traveler said. He rose, stalking up to the older man, holding out a finger and touching the man's chest. “You saw what Ati nearly did.” The Traveler leaned down, face even with that of his older companion. “I would not think it MY vendetta that should worry you, old friend.” Isn't that crazy? It's obviously set right after Mistborn Era 1, right after Hero of Ages, with Hoid (the Traveler) talking to Frost. Not only that but it really sounds like they are on Yolen as well. Remember in The Way of Kings, the part two epigraphs were a mysterious letter of cosmere significance? That was sent to Hoid, from Frost. Then, in Words of Radiance, Frost sent a reply. This is crazy. What do you think? Also note, there's lots more JordanCon to transcribe in the JordanCon event in Arcanum. Come help out by signing up for an account, going to the Sources page, and hitting Edit. Come into our Discord in the #arcanum channel and we can help you out, or go here for a guide on how to do that.
  2. 38 points
    Shortly ago, late this night, Brandon has completed the first draft of Oathbringer, the third Stormlight Archive novel. This draft weighs in at a tiny word count of 461,233 words--which, as a comparison, is longer than Way of Kings (which was 387,000), Words of Radiance (at about 400,000), and the Lord of the Rings trilogy (at 455,000 words). So, you know, it'll fit right in your pocket. Brandon says, of course, there is much work to do and that it will be out November 2017. In the process of editing, generally the word count is trimmed quite a bit as prose tightens. What's next for Oathbringer? Peter Ahlstrom, Brandon's assistant, explained on Reddit the process: So that's the process! There really is much to do still. (An unrelated, but interesting fact in that Reddit thread is that Brandon sells twice as many ebooks as print, which is pretty insane, I think.) Needless to say, after Edgedancer I can't wait to see what is in store in Oathbringer. If it ends up being longer than Words of Radiance--which I imagine it easily will--I can't wait to have an even bigger epic doorstop. Er... I mean, blunt force weapon. Er, I mean... paperweight! All of those things and more. It will be very multifunctional, I'm sure.
  3. 23 points
    Today we're taking a look at a really special thing. It's a Stormlight Archive album called Kaladin, by a group called The Black Piper. This is quite a huge project that has been worked on since 2015, and consists of three producers and several Hollywood composers and orchestrators. About half of the album has been recorded with the City of Prague Philharmonic Orchestra. In other words, this is a very legit and awesome project. The Black Piper has given 17th Shard a look at fourteen tracks--half of the album--and we're here to tell you about all of them to try to give you a feel for what these are. We're going to talk about the people involved with the project, and also, we're going to talk about the Kaladin Kickstarter they have. So who's working on this? The Black Piper was formed by producer Sae Sae Norris, film composer Michael Bahnmiller (who has done music prep on Fantastic Beasts and Where to Find Them and La La Land), and videogame composer Richard Williams (two-time Student Emmy winner). These aren't newbies to the industry at all. The Black Piper also has a desire to support artists and composers, and there's a lot of other composers on the project, which you can see at the bottom of the The Black Piper's About page. All of these composers have worked in the film, TV, or video game industry. In Kaladin you can really feel the influence from films and video games; it'd feel right at home in either. In their Kickstarter, they want to produce Kaladin with the same level of quality as any movie soundtrack. Their goal is to record 95 minutes of music total, 31 tracks in total. and record the remainder with the London Symphony Orchestra. That orchestra has recorded incredibly iconic film scores, some things you may have heard of, such as Star Wars or Harry Potter's soundtrack. You know, just the minor things. They also wish to hire world-class soloists to put in the tracks as well. There's also artbooks that you can get, as well as a number of other Kickstarter upgrades, which we'll talk about soon. But first, you guys want to know what it sounds like. The Music The Black Piper has posted a playlist of excerpts from nine different tracks, which you can see here: We got to listen to complete versions of these tracks and more, for a total of fourteen tracks so far, which is less than half of the thirty-one they want to have in the finished product. Now, most of the full tracks we heard were, computer generated, which means they didn't have the live orchestra sounds in it (except for a few). I'm going to be honest: these tracks were amazing and they aren't even the final versions. It feels cinematic and epic. The unanimous opinion of our staff was essentially: "this is amazing, we can't wait to see the final version." But remember, the tracks might change into their final product, so our descriptions might be off in the long run. So let's go through each of these tracks. I'm terrible at analyzing music, but big thanks to MozyTheHealer, Kaymyth, and FeatherWriter for their musical expertise. They helped a lot in writing this. Also, Kerry, Jofwu, and Botanica helped me here, too! Thanks all! 1. Stormblessed This track is a lot like a "welcome to our story" track. There's a slow, solemn lead-up with bassoons, breaking into a proper battle theme that really evokes the battlefield well. There's big sweeping lyric melodies, with some awesome French horn. FeatherWriter says, "There’s a really incredible bit of time signature change with super interesting syncopation that really caught my attention. Just as you're getting used to the 4/4, it throws you out." This one strongly feels at home in a film. This would work perfectly as the music for a trailer in a Stormlight film. 2. Sas Nahn Shash As the title suggests, this is all about sadness, despair, and defeat. It really captures melancholy, and has a slight feeling of unwanted hope at the end. One of the composers on this album is really into impressionist sounds. It is heavier on the strings and higher woodwinds, and is overall very atmospheric with its long high notes in the violins and sopranos. 3. Sylphrena This one isn't a particular scene from the book, but it tells about Syl's journey as a character. It starts serene, as if she's a mere windspren, then slowly builds into a joyful film score sound. In the middle, it reminded Mozy of Zelda when the track picks up with chimes and violin runs. At the end, we have a big crescendo that hints at the triumphs to come, then fades away at the end. It's a great, hopeful track, which is a nice contrast from the first two. Feather thought the track portrayed Syl as a soothing comfort to Kaladin. It definitely feels like Syl's growth from windspren to Honorspren. 4. Honor Chasm Compared to the joy, happy sound in the last track, this one has a sense of mystery, darkness, and gravitas to it. It feels like the part near the beginning of The Way of Kings where Kaladin goes to Honor Chasm, contemplating ending things. The sound captures a lot of uncertainty with the sparse orchestration and minimal harmonic progression. The harmony sits on notes for a very long time before it moves. It then switches to some motifs from the Sylphrena track, and then ends hopeful and triumphant, as Kaladin has new hope. 5. Alethi Codes of War This song is quite different from the first few tracks. It'd be perfect for a training montage scene, like Kaladin training with Bridge Four. There's a Celtic or folky feel to it. It has a lot of percussion and rhythmic motives in the low strings that makes it feel properly militaristic. The reeling melody that weaves through the percussion is an excellent reflection of Alethi revelry even in the middle of the warcamps. This is one of my very favorite tracks--as well as some others' favorite too--and I think I've listened to it about forty times already. 6. Chasm Kata There's a lot of atmospheric anticipation in this one. Layers slowly build up, eventually ending more triumphant, with a sweet violin solo. It has the feel of a character's self-discovery moment. It's easy to imagine this right in a movie or TV show, and you can feel exactly the scene this track would go into. 7. Highstorm You know exactly the scene a track named "Highstorm" would represent: Kaladin facing the storm. This track starts dissonant and discordant, giving you a feel of unease. Then, the track rapidly builds, like the stormwall is rushing right toward you. The string instruments go crazy, the brass enters, and the bass is literally dropping. Just listening to the track, you can feel your heart beat faster and you're just thinking, "oh crap, oh crap!" This is intense. The song ends more calmly, almost ethereal, as the highstorm passes and you're in the riddens. This one is spectacular and perfectly matches the urgency and majesty of the highstorms. 8. Hearthstone (Tien) This one feels warm and homey. Kerry described it perfectly: "I feel like I’m walking the main character of a JRPG through their hometown, and that’s exactly what a Hearthstone track should feel like. Rich with emotion and nostalgia. I thought I caught a bit of a Shenandoah-inspired melody here and there, which lent an air of homesickness when listening from the perspective of Kaladin reminiscing." At the end there's a snare drum part which made basically everyone who heard this song die. The drum could either represent the drums of war, or the drums before an execution. R.I.P. Tien. 9. Wandersail So, obviously, Wandersail has a flute part in it. Well... we didn't hear this song with the flutes. (I imagine this is one of the "hey we want a world class soloist to do this" thing from the Kickstarter.) What we heard is a sweet underscore of non-flute stuff where Kaladin is seeing what Hoid is making, in between flute parts. In some respects it feels a bit like Pirates of the Carribbean in Stormlight, which is a big compliment. It's strong and cinematic, especially near the end, where it is gets faster and darker, to show the end of Derethil and the revelation about the Uvarans. Still, we really want to hear the flute part! 10. Three Glyphs - Wind, Protection, Beloved This is the scene where Bridge Four is on a bridge run, and Kaladin, in Parshendi armor, distracting the Parshendi from the bridges. You can very clearly hear the transitions between the three glyph themes. Wind is ominous and powerful, Protection is equally powerful but more rhythmic and certain, and Beloved lifts the piece up into a state of joy. The end, though, feels like it pulls at least the second two together into one. It takes a while for this to feel like a cohesive piece, but the payoff at the end is worth it. 11. 16 Seconds Pre-Death The title of this references the death rattles, and as you could imagine, it is quite spooky. It isn't a slow track, though, but more a scene during a battle where things are going very wrong. It's about the part where Kaladin says the Second Ideal, and it is dark and despairing. It has some synth parts creeping through the other sounds, which makes it feel foreign. It gave me a slight bit of a Mass Effect vibe because of it. I'm told there will be some Parshendi chanting added into this song, which will be layered on top of the abstract synths. Considering it already sounds alien and weird, I can't wait to hear the final version with the Parshendi chanting to it. It can only add to the effect. 12. The Tower It's the Battle of the Tower, of course. It opens with an epic, truly film soundtrack feel of a battle, but then transitions to a section that captures the feel of betrayal and sorrow of the moment. Then it moves into with some triumph in it, but also keeps you on edge. It grows frentic and chaotic, as the fighting intensifies. Some of the transitions are so gradual and then others just happen in a split second, that it makes there be a feeling of uncertainty amidst the badassery. At the end, it slows, and you can finally breathe, as the battle ends. The end fades, but it isn't a glorious triumph, instead feeling just like they got out barely, and so many died. It fits the battle excellently. 13. Thath This we heard with the final orchestrated version, and everything I said about the other tracks being awesome are true, but this really feels way more awesome with the orchestra and the vocals. Mozy describes the track as such: "The beginning does some pretty good anticipation IN THREES with the first motive. (Threes are my favorite thing where it takes three times to really hit the moment). The first start is like “ooh is something happening?” and the second one is like “Yuusss something is happening” and then it flakes out. There’s obviously a few different things going on. I feel like the beginning is more war-like, and then it hits a pretty nice lyric section, that moves into the vocal part at the end." A piano joins at the end, building into a true triumphant moment, which feels exactly like would play when Dalinar puts his Blade on the Thath glyph to save Kaladin. Heck yes. It's emotional, stirring, and breathtaking. 14. Shallan's Lullaby So in the description of the project on the Kickstarter, they say this album is about Kaladin's journey through The Way of Kings, but here we clearly get a Words of Radiance inspired track. It has both male vocals and female vocals singing the lullaby in Words of Radiance, clearly echoing the notion that Shallan's father sung this at the beginning of her flashback sequence, but Shallan also sung it at the end, too. It's a sad track that feels despairing, with a soft, mourning air to it. It starts with male vocals, alternates between female and male, and there's a short duet, ending with the female vocals. I enjoyed that it ended on female vocals, as anyone who read the last Shallan flashback would know. The background sounds of blowing winds, dripping raindrops, and lightning add much to the music. Then, silence for a few seconds. It slowly grows into a huge choir and organ part, which would be appropriate in any dark moment, evoking the feel of the horror of either moment where this lullaby is sung. It reminded me more of the end of Shallan's flashback sequence, with the storm outside of the manor, and a corpse inside, as Shallan realizes what happened. This last part was a bit controversial among us, as it was quite a different change in the track, but this is how I interpreted it. ---- And that's all the tracks we heard! Overall, there's a depth and complexity to the music that so wonderfully feels exactly what the scene would feel like. We all felt like this would be right at home in a Stormlight movie, TV show, or video game. If we had one critique, it was that we generally wanted the tracks to be longer--which I'd say is a pretty good thing, to have us wanting more! I have absolutely no doubt that the final product will be spectacular. And this is just fourteen tracks. There is definitely a track called "Bridge Four," but after that, I imagine there will be some other really sweet things here. They want a total of thirty-one tracks, for 95 minutes of music, if they hit their goals. So, let's talk about the Kickstarter. The Kickstarter The Kickstarter is very ambitious. There seems to be three goals, which are not all listed at the moment. There's a $110,000 tier as the first goal, there's a second goal at a money value I'm not certain what it is, and then there's their final goal, which seems to be $600,000, but it isn't fully spelled out. If they hit their second goal, then they will create the second half of the album (which is not created yet), and also record with the London Symphony Orchestra. That means at the first goal, as listed, we wouldn't get the full 31 tracks, but that is their hope to get that many. The biggest goal will involve musicians working on bonus tracks. So, admittedly, that's ambitious. But what we've heard so far is really great, and if it sounds cool to you, consider backing the project! What are the reward tiers for the Kickstarter? $25 or more: a digital download of the album, a Black Piper wallpaper, and a digital art/sketch card. $45 or more: in addition to the lower tier things, you'll get a physical album, which will come with a six page art insert, containing Kaladin art, and a physical art card $100 or more: in addition to the lower tier things, you can be a voice in the virtual choir and actually be in the album $950 or more: in addition to the physical album and those things, you'll receive a page of the score of a given song, handwritten in the composers hand, coated to protect it, and signed. $3500 or more: in addition to the physical album, you spend an evening with the creators over dinner. So... you can spend a lot of money if you'd like to! The physical art card in the physical editions are one of six collectible character art cards. They will be one of these six: Kaladin, Sylphrena, Bridge Four, Navani, Dalinar, or Szeth. There are also a variety of add-ons you can add to your pledge. You can add $2 for a Stormlight character bookmark, drawn by the amazing Botanica Xu, who has drawn tons of Stormlight art, or $12 for a full set of eight bookmarks. You can get a physical album signed for $5. There's an 100 to 150 page Kaladin artbook at $57, containing some existing Stormlight art but also new art too. With pages something like this (though this isn't final): That's Kaladin. It's a big, ambitious project, but these composers are insanely competent and I'm sure if they meet their funding goals, it will be an amazing final product. Hopefully this gave you a huge amount of information into Kaladin so you can decide if you want to back this! Huge thanks to the Black Piper for letting us listen to some tracks in advance! Also, thanks again to MozyTheHealer, Kaymyth, Kerry, Jofwu, FeatherWriter, and Botanica for helping me writing this article, especially with discussing each of the tracks.
  4. 9 points
    It is May 3rd. A day otherwise mostly unremarkable, except for a few things. One, it happens to be the National Wordsmith Day. But, coincidentally, it is also the day we are getting official Brandon Sanderson apparel on Amazon! And while that alone might be exciting to some, what's more important is that many of the designs are brand new! Check out this amazing First of the Sun/Sixth of the Dusk Symbol t-shirt, for example! Check out the designs here . There are tons of cool ones that are not on Brandon's store, like one that says, "Ask me about the Cosmere," a nice shirt with just the cosmere symbol on it, and other planet ones like Sel, Threnody, and more. Additionally, many of these shirts have many more colors than when these were just on Brandon's store. Check out how sweet the Stormlight Archive shirts look in new colors. Unlike Brandon's store, some of these designs have women's and kid's sizes as well! Keep that Amazon link handy, because there will be more coming in the (near?) future. So go. Stock up on Brandonswag. And, God Beyond help me, send someone to take my wallet away from me, because I am about to buy like 10 of those beauties... [Editor's note: I too am going to spend way too much money right now on these. -Eric]
  5. 7 points
    This time on Shardcast, we are going to discuss one of the mysterious aspects of Oathbringer: the Sibling, and its relationship to Urithiru. We're also talking about the Dawncities and more--surprisingly, the Horneater Peaks too. And, as Ian says: "Caves? Kind of a bummer." This week we have Eric (Chaos), Ian (WeiryWriter), and joining us on Shardcast for the first time is Evgeni (Argent). My sincerest apologies about the audio; there were some exceptionally bizarre issues that occurred in editing. I've also heard that Shardcast is now on iTunes and Google Play Music. Let me know if something doesn't work out.
  6. 5 points
    Today on Shardcast, we are talking about all of the stuff from JordanCon. This will be a twofer episode, which will be continued next week. Here we discussed Shardblades in the Cognitive Realm, answering a question we brought up last week. We also decide we are going to do an Odium podcast, and you'll see that later. We also talk about urges and demiurges. Yup. This week we have Eric (Chaos), Ian (WeiryWriter), Ben (Overlord Jebus), Evgeni (Argent), and Rosemary (Kaymyth). Also starring: terrible Skype audio due to mysterious audio drift. Send your Who's That Cosmere Character to [email protected]!
  7. 3 points
    We're back to discuss White Sand Vol. 2. There's a lot to discuss, not to mention the ceiling fan and a horse. There's also apparently a person named Trell in this, which is pretty crazy. But listen to us discuss White Sand, its art change, and everything else. As you can expect, it's... uh, a very positive podcast! We have Eric (Chaos), who David thinks might actually be more annoyed with White Sand at this stage. We have Ian (WeiryWriter), ever the optimist about White Sand, and David (Windrunner), who needs to clear his throat sometime. (Stay to the very end for what is... allegedly comedy) Highlights: Trell - 1:27:30min Who's That Cosmere Character - 1:48:30 If you'd like to submit a character for Who's That Cosmere Character, email it with five clues to [email protected]
  8. 3 points
    We're here. The "soon" is now, everyone. You've waited for eons and now Shardcast is at last here! And now, for what you've all been waiting for... ...to hear Kerry, Josh, Eric, and Zach blab about random stuff. Yes, okay, this is a rather jokey, introduction episode to Shardcast. Truly this is the most introductiony podcast there ever was. Hear us talk about the origin of our site name, talking about ourselves, top hats, and most importantly: Vin's Pokemon team. If you think we are kidding, you are sorely mistaken. Here at Shardcast we don't give you the news you need, but the news you deserve.
  9. 2 points
    Late April, there was JordanCon, and today on Shardcast, we have brought two cast members, Evgeni and Rosemary, to give us their thoughts on the convention. We also talk about the craziest thing from there, which was the reading of The Traveler, which you should definitely read immediately. It's some of the spiciest cosmere stuff we've gotten in a while. This week we have Eric (Chaos), Ian (WeiryWriter), Ben (Overlord Jebus), Evgeni (Argent), and Rosemary (Kaymyth). Stay tuned next week and the week after where we do JordanCon Words of Brandon analysis!
  10. 2 points
    Long ago, in the ancient days of 2016, we did a podcast back when we called this Shardkeepers, about Nightblood and Corrupted Investiture. With the advent of Oathbringer (Oathbringer spoilers in this podcast, by the way), we have not only seen more Nightblood, but we've also had a lot more Words of Brandon about it. Oh, and we're going to talk about Azure's Shardblade, too, because that's a pretty big deal. Today we have Eric (Chaos), Ian (WeiryWriter), and Matt (Comatose). Check out our previous Nightblood podcast (where I really didn't know how to edit audio nearly as well): https://soundcloud.com/17thshard/the-shardkeepers-podcast-corrupted-investiture-and-nightblood Email your Who's That Cosmere Character to [email protected] Subscribe to Shardcast: http://feeds.soundcloud.com/users/soundcloud:users:102123174/sounds.rss
  11. 2 points
    This week we are diving back into a controversial character from Oathbringer: Venli! And of course, as is obvious if you've read Oathbringer, we have to talk about Eshonai too. Behold as we have an epic war between Ben (Overlord Jebus), Ian (WeiryWriter), and I on these characters. (My apologies this one is late; turns out 12-14 hour days all this week was a bit rough. Crazy, right?) Email your Who's That Cosmere Character to [email protected] Subscribe to Shardcast: http://feeds.soundcloud.com/users/soundcloud:users:102123174/sounds.rss
  12. 1 point
    Those of you who been following Brandon's projects over the years will know that for a long time the next YA book was going to be Apocalypse Guard. And although Apocalypse Guard had to go to the back burner for some time, Brandon was quick in putting together a replacement for it - Skyward, the first book in a trilogy for Random House. Today it has a cover, illustrated by Charlie Bowater and designed by Regina Flath. Take a look! Skyward is not Cosmere, nor is it Reckoners/Snapshot, but it does share a universe with something Brandon has published. Which brings Brandon's connected universe up to three. Take that, Marvel! Here's the synopsis for Skyward: Brandon has said he is ridiculously excited for this book, so we will be looking forward to its release on November 6, 2018. You see the cover, watch a book trailer, and read the first three chapters over at io9. What do you think of the cover? If you’ve read the samples already, how does Spensa compare to the image in your head? Let us know in the comments! Edit: Added in acknowledgement for the artists! Check them out!
  13. 1 point
    Today, the first three Stormlight Archive books, The Way of Kings, Words of Radiance, and Oathbringer are available in an ebook bundle for about $30 (specifically, I'm seeing $29.58 today) on many different ebook platforms. If you haven't gotten all three of these ebooks, this is an obscene value. It's 1.2 million words and many hours of entertainment, and all for $30? Yeah, I would say that is a good deal. Also amusing is how in the picture for these, there is a picture of the spines of these three, all using text going down the spine in the new Stormlight font. It doesn't particularly matter for ebooks, though. Here are links to various different ebook outlets for the bundle: Amazon: https://www.amazon.com/Stormlight-Archive-Books-1-3-Oathbringer-ebook/dp/B079Y6B4MD/ref=sr_1_1?ie=UTF8&qid=1525815457&sr=8-1&keywords=stormlight+archive+bundle Google Play: https://play.google.com/store/books/details/Brandon_Sanderson_The_Stormlight_Archive_Books_1_3?id=mwpNDwAAQBAJ iTunes: https://itunes.apple.com/us/book/the-stormlight-archive-books-1-3/id1350810003?mt=11 Barnes and Noble / Nook: https://www.barnesandnoble.com/w/the-stormlight-archive-books-1-3-brandon-sanderson/1128397819?ean=9781250305411
  14. 1 point
    Yesterday, the first part of the Oathbringer Graphic Audio came out. Its regular price for a digital version is $16.99, and you can also get it on CD as well. Graphic Audio has done many of Brandon's books and are highly regarded. It isn't just a usual audiobook. It has a full cast of readers acting out the dialogue, with music as well. You can listen to a sample to see if it's your sort of thing on the Graphic Audio page. There are six parts to the Oathbringer Graphic Audio, and the next two come out May 23rd and June 20th, so we have about a month between them for these. If you have these, let us know what you think of the graphic audios below!
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